Girl With The Dragon Tattoo American Series

Girl With The Dragon Tattoo American Series – Stieg Larsson’s Millennium Trilogy, a trio of novels pairing a disgraced journalist with a punk hacker, was an international phenomenon. The books sold millions of translations worldwide and were shown in both feature films and extended versions on TV in Sweden. David Fincher directed the English version of the first novel, which in my opinion was an excellent adaptation, but for many the original Swedish version provided the definitive screen versions of Lisbeth Salander and Mikael Blomkvist. It was released both as a feature film trilogy and as an extended version as a Swedish TV miniseries.

Niels Arden Oplev’s adaptation of The Girl With the Dragon Tattoo (2009) takes a tougher approach, but the film still works thanks to a strong story and Noomi Rapace’s undeniably wild portrayal of Lisbeth Salander, an embittered criminal hardened by wild life. A young woman. She struggles to survive in this predatory world, before she becomes embroiled in a decades-old murder mystery that uncovers old secrets. Michael Nyqvist is considered the main character of the plot, the investigative journalist Mikael Blomkvist, who gets out of prison after being convicted of defamation (he was framed, caught) and agrees to take the cold case, but Salander, who uses his hack . Mikaela is interested in freelance investigative skills for clients who don’t care how she gets the information. It’s the first act of altruism we’ve seen from her… even if it’s a matter of revenge. And revenge is something she knows and seeks with ferocity.

Girl With The Dragon Tattoo American Series

The Girl Who Played with Fire (2009) is an improvement on the first film, moving away from the first film’s murder mystery conventions, focusing on Salander’s sinister past, which returns with a vengeance. Emphasis on Revenge: This region is as dark as the first film, but more personal. Director Daniel Alfredsson is not an action director and fails to create anything resembling suspense, but he is more responsive to the characters and puts the relationship between Lisbeth and Mikaela at the heart of the thriller, which is all the more impressive because they rarely share. Despite Screen Lisbeth’s tendency to keep everyone at arm’s length, this relationship is stronger and more engaging this time, not a narrative dialogue, but a personal connection. But the film belongs to Lisbeth, who is active, smart, fierce, angry and determined with Mikael’s support.

The Girl With The Dragon Tattoo: Book 1 Review

The Girl Who Kicked the Hornet’s Nest (2009) wraps up the story more effectively with passion. Director Alfredsson goes through the motions of the exposition-heavy plot as if it were a checklist, and the ferocity of Lisbeth’s portrayal of Rapace and Nykvist’s conviction as the loyal Mikael lend personality to the somber picture of justice. By the end of the film, it becomes an arch, sloppy courtroom drama where the tables are turned with such colorless systematic precision that poetic justice seems spoon-fed. And yet the story is so vivid, and Lisbeth so fascinating, that they leave the movies and satisfy until the conclusion.