Sword King In A Womans World Free – The new film stars Viola Davis as the leader of the all-female Agojie army in the African kingdom of Dahomey.
Tells the story of the Agojie, an elite all-girl army in the West African kingdom of Dahomey. Photo by Chris Hellier/Corbis via Getty Images
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At its height in the 1840s, the West African kingdom of Dahomey boasted an army so fierce that its enemies described it as “supremely brave.” This force of about 6,000, known as the Agojie, raided the darkened villages, taking prisoners and beheading the warriors to return to their king as trophies of war. Through these actions, Agoje Dahomey surpassed neighboring kingdoms and became known to European visitors as “Amazons” because they resembled the warriors of Greek mythology.
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The new film The Woman King, starring Viola Davis as the fictional leader Agojie, is about these female fighters. Directed by Gina Prince-Bythewood, the film is set in a time of conflict in the region and the idea of European colonization is evident. It is the first time that the American film industry is playing a serious story.
Is the result of a “thousand wars” by Davis and Prince-Bythewood, both of whom spoke of the challenges the production team faced in delivering a historical drama centered on powerful black women.
“Part of our favorite movie is also part of Hollywood horror, which is that it’s different, it’s fresh,” Davis tells Keegan. “We don’t always want to be different or new unless you have a big star attached, a big male star. The studios hit… men. So there you are.”
From the origins of Agojie to the last days of Dahomey, here’s what you need to know about the real history
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In short, yes, but with a much larger license. While the film’s broad plot is historical, many of its characters are fictional, including Davis’ Nanisca and Theseo Mbedu Nawi, a young warrior in training. . According to Lynne Ellsworth Larsen, an architectural historian who studies architecture in Dahomey, Ghezo (reigned 1818-1858) and his son Glele (reigned 1858-1889) led the so-called golden age of Dahomean history. . a time of economic development and political power.
Opens in 1823 with Agojie’s raid to free slave captives from the Oyo kingdom, a powerful Yoruba state in southwestern Nigeria. Dahomey has been grateful to Oyo for a long time, but it started to show itself under Ghezo and General Nanisca. A parallel plot finds Nanisca disapproving of the slave trade after personally witnessing its horrors, urging Ghezo to end Dahomey’s close ties with Portuguese slave traders and turn to palm oil, the kingdom’s export.
The real Ghezo took Dahomey out of the river basin in 1823. However, the kingdom’s involvement in the slave trade is not well documented in history. According to historian Robin Law, Dahomey became a major player in the West African trade between 1680 and early 1700, selling captives to European traders, whose presence and demand fueled the industry – and it is also a great example of the war of Dahomey. .
Although most of the Dahomey captives were slaves abroad, a significant number remained in the kingdom, where they worked in the royal fields, in the army, or in the palace. In fact, it was only in 1852 that Ghezo agreed to end Dahomey’s involvement in the slave trade, following pressure from the British government to abolish slavery (for unfounded reasons) in its colony in 1833. Although Ghezo once researched the Oil production, like other sources of income, proved not to be very profitable and the king soon resumed Dahomey’s involvement in the slave trade.
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In response to concerns about his film’s portrayal of Dahomey and European slave traders, Prince-Bythewood told The Hollywood Reporter: “We’re telling the truth. We’re never going to deny anything. But we’re also telling it. It’s part of the story. it’s about winning and fighting for what’s right.
“Portraying Agojie as a critic of the slave trade through Nanisca’s actions makes for a ‘good story’,” Larsen said in the interview. I doubt it.” He added, “These women are symbols of strength and power. But… they are also part of the problematic system. They are still under the royal line, and are still involved in the slave trade.
The text is based on what was first learned about Agojie during a 2015 trip to Benin. After learning about the cinematography of the subject, he convinced producer Cathy Schulman to find a studio willing to finance the project. Prince-Bythewood and Davis joined the team shortly after. “It was pushing and shoving to convince people that we deserved a bigger budget, that we deserved to tell this story,” Prince-Bythewood told the Los Angeles Times.
That the film was greenlit at all was probably due to the 2018 blockbuster Black Panther, which was a sign of entertainment based on black characters. The title of Dora Milaje in the movie was sponsored by Agojie.
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Aje-Ori Agbese, an expert on African cinema at the University of the Rio Grande Valley in Texas, told Ms. “So [
The first written record of Agojie dates back to 1729. But this group may have been founded earlier, in early Dahomey, when King Huegbadja (ruled ca. 1645-1685) created a corps of elephant hunters. Alternatively, Hangbe, who ruled briefly after his brother’s death in the early 18th century, may have brought in female warriors to protect his palace. However, Agojie reached its peak in the 19th century under the leadership of Ghezo, who recruited them into the Dahomey army. Due to the ongoing wars in the kingdom, the number of men in Dahomey had been greatly reduced, making it possible for women to replace men in battle.
“Perhaps more than any other nation in Africa, Dahomey devoted itself to war and raids on slavery,” wrote Stanley B. Alpern in The Amazon of Black Sparta. . “It is also possible that he was an extreme tyrant, a king who controlled and regulated almost everything in society.”
The standing army of Dahomey itself was unusual, as many other African kingdoms destroyed their armies when they were not fighting hard. The fact that the Agojie and their male counterparts wore uniforms set them apart, making the Dahomean army a highly organized and visible force.
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“They have to have a public face,” says Larsen. “They wanted their neighbors to fear them. This was a kingdom that traded slaves, so war was part of their annual schedule. They had to gather people to participate in this horrible slave trade, and human sacrifices to the gods. after death..
Agojie’s ranks include volunteers and soldiers. Terri Ochiagha, an expert on colonial and post-colonial Nigeria at the University of Edinburgh, said: “Police were enslaved, some as young as 10, including poor and rebellious girls.” 2018 Smithsonian Channel documentary “Epic Warriors”. in
In the 17th century, the Agooji were an elite, all-female warrior group that held a special place in the African kingdom of Dahomey. Most of them were former slaves, only the brave and fierce were allowed into the herd.
Or the king’s wives. They lived in the king’s palace with the king and his other wives, living in a place dominated by women. Except for the eunuch and the king himself, no man is allowed in the kingdom after sunset.
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As Alpern told Smithsonian Magazine in 2011, the Agojie were considered the king’s “third-class” wives because they usually did not make his bed or carry his children. Because they were married to the king, they were not allowed to have sex with other men, although the extent to which this marriage was enforced is disputed. In addition to having special privileges, the fighters had regular access to tobacco and alcohol. They also have their own slave workers.
To become an Agojie, the recruits undergo extensive training, including training designed to make them bleed. In 1889, French naval officer Jean Bayol observed Naniscale (who may have inspired the name of Davis’s character
), a teenager who “has never killed anyone” easily passes the test
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