Slang Terms Roaring Twenties – Presentation on topic: “How are colloquially used words related to time periods?” – Presentation transcript:
What is the informal slang used in society? How do words used as slang relate to time periods? Changing subcultures.
Slang Terms Roaring Twenties
Spifflicated – drunk. as canned, cork, tank, primed, scratched, jazzed, serrated, plastered, alode, mummified, lit, potted, fusing or capping.
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Bee’s Knees / Cat’s Meow Great thing or idea about beef Complaints Hayburner Gus attractive car has achieved all six years 100% joint / gin factory / speakeasy / juice joint one establishment / bar bar can be attractive / how attractive to be honest with me and how! I strongly agree Copper cop A pigeon in jail Someone reported it to the police Gangs / Bandits who were involved in organized crime Tin Pan Alley New York’s music industry
Roaring Twenties Date Stage 1920s Slang Size: Use 1920s slang word chart to write a complete sentence describing each of the following. Prohibited – If droppings – pigeons tell the field that there is wine, I will stir. Organized Crime – Petty theft – Women vote – Cheap cars – Radio – Movies –
To operate this website, we record user data and share it with the processor. To use this website, you must agree to our Privacy Policy, including the Cookie Policy. The Flappers of the 1920s were young women known for their passion for independence, adopting a lifestyle that many at the time considered outrageous, immoral, or downright dangerous. Now considered the first generation of liberal American women, advocates have created barriers to women’s economic, political, and sexual freedoms.
During World War I, women entered the workforce in great numbers, earning higher wages that made many working women reluctant to give up in peacetime.
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In August 1920, women’s emancipation took it one step further with the passage of the 19th Amendment, giving women the right to vote. And in the early 1920s, Margaret Sanger pioneered the provision of contraceptives to women, sparking waves of demand for women’s birth control.
The 1920s also saw Prohibition, which ended the legal sale of alcohol due to the 18th Amendment. Along with the explosion in popularity of jazz and jazz clubs, the stage was set for performances. speakeas, serving illegally produced and distributed alcohol.
The mass production of Henry Ford’s cars brought car prices down, allowing the younger generation to have better mobility than in earlier eras. Many people, many of them young women, drive these cars to cities, crowding the population.
No one knows how the word flapper entered the American language, but its use appeared only after World War I.
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The classic image of a flip-flop is the image of a stylish party-loving young lady. Flappers smoked in public, drank, danced in jazz clubs and practiced sexual freedom in defiance of their parents’ Victorian morality.
They wear fashionable flapper dresses of short length, revealing calves and low necklines, though often out of shape: the straight and slim figure is the preferred shape.
Flappers wore heels and ditched corsets for bras and lingerie. They happily apply baby powder, lipstick, mascara and other cosmetics, and prefer short hairstyles like bob.
Designers like Coco Chanel, Elsa Schiaparelli and Jean Patto have dominated flapper fashion. Jean Pateau’s invention of women’s swimwear and sportswear, such as tennis skirts, inspires a freer, more relaxed silhouette, while designs by Chanel and Schiaparelli deliver clean lines. More sexy for women’s wear. Madeleine Vionnet’s cut-out designs (made by cutting the fabric to the grain) make women’s body shapes more natural.
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F. Scott Fitzgerald found his place in American literature with “The Great Gatsby” in 1925, but he achieved fame as a spokesman for the Jazz Age.
The press at the time credited Fitzgerald as the author of Flapper for his first novel.
A collection of these stories was published that year under the title “Flappers and Philosophers”, establishing Fitzgerald as a flapper expert for the next decade.
If Fitzgerald is considered a historian of flappers, his wife, Zelda Fitzgerald is considered the best example.
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Born in Montgomery, Alabama, Zelda was a stylish, free-spirited young woman who met Fitzgerald in 1918 while he was stationed there in the army. She was only 17 years old then and the daughter of a famous local judge, her cheerful escapes brought her family into disrepair.
The couple married in New York City a month after the release of the movie “This Side of Paradise” and soon began a lifestyle of reckless partying and finding publicity in Europe and across the United States.
Both openly stated that Zelda was Fitzgerald’s inspiration for all of her female characters, giving her vision as much in demand as he was. She soon wrote articles about the “modern” flapper lifestyle.
Louis Long is another writer who has documented flapper culture in print. Using the pseudonym Lipstick, Long began to write.
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His work chronicles the life of a flapper and chronicles his real-life adventures of drinking and dancing that night. He often wrote his columns – titled “When the Nights Are Bold” and “Tables for Two” published in 1925 – shortly after he was out at night, typing in the early hours of the morning.
Realizing that women now had their own disposable income, advertising extended their interest beyond household goods. Soaps, perfumes, cosmetics, tobacco and fashion accessories are the subject of advertisements aimed at women.
Helen Lansdowne Resor was the most powerful woman in advertising at the time. Head of women’s advertising at J. Walter Thompson Agency, she rose from the position of secretary because of her deep understanding of how to sell to women. She was the first advertising executive to promote sex appeal as a marketing method to women, which often focused on getting the attention of men.
Anita Luce’s book “The Gentleman Likes Blonde” and the follow-up book “But Gentleman Mary Brunettes” are world-famous satires about losers. The books focus on flapper Lorelei Lee and her conquests of men. The first film version of “Gentlemen Prefer Blondes” was released in 1928 (a second version was released in 1953, starring Marilyn Monroe and Jane Russell).
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The popularity of the movies exploded in the 1920s, although the screen versions of flappers were generally less accepted than the real-world versions. The first famous flapper film was “Flaming Youth”, released in 1923 and starring Colleen Moore, who quickly became a Hollywood hit actress playing flappers on screen.
Louise Brooks auditioned for the role in “Gentlemen Prefer Blondes” but failed. After all, the image of Brooks and his exact chapter became the classic image of a flipper. The Hollywood part of his film career featured several flapper roles before he moved on to more serious dramas.
Clara Bow was nicknamed “The It Girl”, in reference to her 1927 film “It”, which was adapted from a magazine article by Eleanor Glynne. Bo is the most successful lead actor on screen, beloved for her unique portrayal and unwavering sex appeal.
Anna May Wong broke all barriers as the first Chinese-American movie star. His image as an off-screen flirt encouraged studios to expand his appeal beyond the odd roles they cast him.
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Dancing is an important part of flapper culture. Charleston and Black Bottom is more popular and considered suggestive than any previous movement. The famous 1923 British play “The Dancers”, starring Tallulah Bankhead, examined the obsessions of two dancing artists.
Not everyone is a fan of women’s nascent sexual freedom and consumer ethos, and there is bound to be a public backlash against subscribers.
Utah tried to regulate the length of women’s skirts. Virginia tried to ban any clothing that exposed too much of a woman’s throat, and Ohio tried to ban tight-fitting clothing.
Women who came to the beach wearing swimsuits deemed inappropriate were escorted off the beach by police or arrested for refusing.
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John B. Henderson, the famous hostess of Washington, D.C., tried to start a public movement against him, calling for help from prominent women’s clubs and colleges.
Pastors such as Rabbi Stephen S. Wise and Baptist pastor Dr. John Roach Stratton became known for their satire against young women’s fashions.
Flappers also faced criticism from women’s rights activists such as Charlotte Perkins Gilman and Lillian Symes, who felt that Flappers went too far in accepting their vulgarity.
The era of the subversive ended abruptly on October 29, 1929, with the stock market crash and the onset of the Great Depression. No one can afford that lifestyle anymore, and a new age of austerity has rendered the liberal hedonism of exploding 20s deafening to harsh new economic realities. fall.
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Many movie stars had to end up with the release of said movie two years earlier, which wasn’t always good for them. In 1930, the Hays Code, which severely restricted sexual themes in films, made it nearly impossible to portray stereotypical independent women on screen.
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The Roaring Twenties was a period of dramatic socioeconomic change in America.
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