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FILE – In this undated file photo originally released by Warner Bros., Jack Nicholson plays Jack Torrance in a scene from “The Shining.” (AP Photo/Warner Bros. Inc., File)
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Overall romantic comedy “How Do You Know” doesn’t make the best use of its star-studded cast — no Reese Witherspoon, Paul Rudd or Owen Wilson, and certainly no Jack Nicholson.
A Personal Note To Jack Nicholson
But we’ll be glass half full here and use this as an opportunity to look back at Nicholson’s excellent work. Now, since the man is prolific and we can only pick five movies, this won’t be comprehensive. We’ll do our best, and you’re welcome to respond with your picks. We can handle the truth:
“One Flew Over the Cuckoo’s Nest” (1975): Nicholson’s best role: He’s charmingly subversive, a little unstable, maybe a little dangerous, but generally smarter than everyone else in the room and always fascinating to watch. Nicholson won his first Academy Award for best actor — he would win a second for “As Good as It Gets” and a supporting actor award for “Terms of Endearment” — for his wacky rebel R.P. McMurphy. Of course he’s not really crazy, but the relationships he builds with his fellow patients reveal another side of Nicholson’s character: a loyal man.
“Chinatown” (1974): Nicholson is in every L.A. scene. Roman Polanski’s noir, playing a type, yes – the tough private eye – but infusing the character with the sensitivity that lurks beneath the tough exterior. Jake Gitts could have been played by Humphrey Bogart in his prime, but Nicholson never fails to impress; He makes this classic, flawed figure his own. He is confident but also capable of vulnerability, as seen when he falls for the clearly troubled Evelyn Mulvray, played beautifully by Faye Dunaway. If you’re looking for a great Nicholson performance… forget it. That is ‘Chinatown’.
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“The Shining” (1980): Nicholson is deeply unsettling in one of the scariest — if not the scariest — movies of all time. As Jack Torrance, he inspires fear not only through his imposing physical presence but also through his threats of violence against his wife and son, which is hinted at at the outset and creates a flamboyance. It is the idea of madness within the person – the feeling that the person is unfaithful to himself and others. Stanley Kubrick made the Overlook Hotel creepy with all his trademark stylized tricks, but Nicholson’s face doesn’t compare to his utter madness.
“Easy Rider” (1969): The performance that made him a star. In an iconic film of his own, Nicholson portrayed his seemingly straight but actually alcoholic attorney George Hansen. The scene where he smokes pot for the first time around a bonfire with Dennis Hopper and Peter Fonda – “You mean marijuana? Lord have mercy, is that it?” – then sharing his theories about UFOs is of course hilarious. But the image of him in a suit and football helmet on the back of Fonda’s motorcycle reflects the film’s delightful contrast and sense of adventure.
“About Schmidt” (2002): 30 years after “Easy Rider,” Nicholson is again on a path of self-discovery. This time, the terrain gives way not to psychedelic revelations, but to gritty reality. Warren Schmidt, Omaha, Neb. As a recently retired actuary, Nicholson delivers one of the most underrated performances of his career, but one of the most powerful. Gone are the trademark wild hair, raised eyebrows and wicked grin. He’s small and has big consequences in Alexander Payne’s affectionate Middle American satire, earning him his 12th Oscar nomination. By continuing, you agree to the Privacy Policy and Terms and Conditions and to receive emails from Rotten Tomatoes.
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The Film That Changed Psychiatry Forever
In this funny, moving character study, Nicholson gives one of the best performances of his career. Read critical reviews
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Warren Schmidt (Jack Nicholson) has reached many crossroads in life at once. At the beginning, he is retiring from a lifetime of service as an actuary for World Insurance Company Hackers and feels completely exhausted. Besides, his only daughter Jeanie (Hope Davis) is about to marry a boy. And his wife Helen (June Squibb) dies suddenly after 42 years of marriage. No, my life being the way it is, my first visit to Yankee Stadium had to be a gratuitous extra for Anger Management, the new comedy starring Adam Sandler and Jack Nicholson.
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I brought Lolita with me because she had never experienced firsthand the incredibly tedious process of filmmaking. What she knew about filmmaking before tonight came from those HBO first look specials they run during the show. Of course, in that show, filmmaking looks almost glamorous. I think if I had the ability to finish four months of work in 17 minutes, I could make filmmaking exciting.
I came tonight because I didn’t stay on set. It’s been three years since my last AD job, working on a ghost-produced project for his little-known brother from the production company of an Oscar-nominated producer/director. I won’t mention the title because you’ve never heard of it, nor will you ever see it. After all this time, it has only been shown at one film festival and there are no plans to ever release it on video.
Now, for those of you who have never been behind the scenes of a movie set, this is basically what happens…
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The second assistant director is the first on set. He or she will open the production office, or van if you’re on location, and start building everything. Then the first AD, unit production manager and production assistants appear and discuss how the day will proceed. Finally, the handlers and gaffers and craft services and set dressers and makeup artists and costume recorders and boom micro operators and teamsters show up and do their jobs. The last people to come in are usually, in order, the director, the actor, and finally the producer. And after everyone else arrives, there are extras. Another AD, who had called Central Casting the night before with a wish list of actors needed for that day’s shoot, finds out who showed up and calls Central Casting again to send replacements for those who didn’t make it in the first place. Then the set or location is set and dressed and you are ready to roll. Sometimes, an operation can take from half an hour to three or four hours to get the first strike of the day, including getting extras, who are usually paid between $60 and $100 a day for doing nothing further.
Now, with a film like Anger Management, which plans to shoot four days at Yankee Stadium, the production won’t spend up to $300,000 per day to load the stadium with the several thousand professional extras they need. To make the shoot look as authentic as possible. Adam is already getting several million dollars for the film, and Jack can afford Lichtenstein. Add to that the cost of co-stars Heather Graham, Marisa Tomei, John Turturro, Luis Guzman and Woody Harrelson… hey, you already have a monster budget, it’s a wonder they can even afford Kevin Neal. So what the production is going to do is have a company like Be in a Movie advertise on websites to get ordinary decent Americans to come and take part in this intimate encounter with cinema. The production will get a hundred professional extras to pose directly in front of the camera in the section, then pepper it with the general public, so when audiences around the world see the film next summer, they’ll hopefully say, “Wow, that’s really filmed. That during a Yankees game!”
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