Winnie The Pooh Christopher Robin

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Yes, Christopher Robin has an end credit scene. And it can send you out of the theater on a high.

Winnie The Pooh Christopher Robin

Emily St. James is a senior correspondent covering American identity. Before joining in 2014, he was the first television editor at the A.V. Club.

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And, yes, there’s a post-credits scene in a new movie featuring Christopher Robin, A.A.’s beloved hero. The Milne

The book (and Disney’s animated adaptation of it), reviewed by his stuffed animal friends as an adult. No, Pooh isn’t being visited by Peter Pan to tell him he’s started a “Don’t Let Children Grow Up” initiative, nor is Pooh and his friends involved in finding a strange wardrobe in the Hundred Acre Wood. the country Here it is always winter but not Christmas.

If you’re not into Disney history, it’ll give you a wonderful treat that floats over your head. And it comes late enough in the credits — after two minutes have passed — that you might miss it entirely. (I’m only waiting around because one of the film’s press photos isn’t in the picture yet, so I’m guessing there are more.)

A spoiler, and of course, reading about it makes you watch the movie for a good easter egg, which puts me in a good mood. But if you really don’t want to know, stop reading.

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In this delightful short sequence, the characters dance together on a beach while an old man at the piano plays the song “Busy Doing Nothing” (as the end credits go). It’s Pooh’s insistence that sometimes the best thing to do is to do nothing, and it plays out in the film’s climax, in which Christopher Robin (Ewan McGregor), a low-level executive at a luggage company, realizes what saves him. The bottom line of the company is selling stuff to the lower class who are entitled to pay their own vacations.

(It’s unclear how Christopher Robin extended this policy from his luggage company to the entire United Kingdom, but let’s assume he had a tremendous hold on the House of Lords.)

So the beach dances happily on the shore, and the old man tickles his teeth, and finally, the camera pans forward to reveal Pooh, Eeyore, Tigger, and Piglet enjoying the sun, too. (This is the press I’ve been waiting for.) The scene ends and the music changes to the end credits where the old men sing “Christopher Robin.”

That scene was a treat – these dancers! This music! That sea! – but knowing who’s playing the piano and then singing over the credits makes it extra fun. It was Disney legend Richard M. Sherman, a nine-time Oscar nominee and two-time winner who co-wrote many of the Disney Company’s most memorable songs with his brother Robert, including Little Winnie the Pooh. Foo. picture (If you’ve ever sung “Get up, get down, hit the floor,” you have Sherman to thank.) Both “Busy Doing Nothing” and “Christopher Robin” were original Richard Sherman compositions for the film. .

The New Adventures Of Winnie The Pooh Christopher Robin And Friends

, and “It’s a Small World.” (Yes, the guy is playing the piano on the beach at the end

Partially responsible for one of the most artificial earworms ever created.) And that’s just a small sample size!

Robert Sherman died in 2012, but Richard is still kicking at 90, at least healthy enough to play piano for stuffed animals for the beach. And Disney commemorated the Shermans’ long careers and their service to the company by dedicating a scene to many of the brothers during its Burbank, California, premiere.

If you’re a Disney fan, you’re probably already familiar with Richard M. Sherman’s work, but you might not know to look for him in this final scene. Seeing him having the time of his life behind the keyboard proves the perfect poignant note to end the film about the power of nostalgia.

Winnie The Pooh & Christopher Robin

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Gifts from readers help us bring this work to life for free while relying less on advertising. If you appreciate it, please donate to our year-end campaign and help us reach our goal of adding 3,000 new gifts by December 31st. Winnie the Pooh will love you even when he grows up. Disney’s newest release, “Christopher Robin,” hits theaters this weekend, marking a new addition to the Disney canon: a live-action remake sequel. After World War II, the story focuses on the now-grown Mr. Robin (Ewan McGregor), an efficient middle manager at an old-fashioned luggage company, trying to stay afloat in a crash economy. Robin returns to the 100 Acre Wood and surprisingly, remembers what is truly important in life. You remember Disney nostalgia repackaged with new versions of characters you’ll never forget.

For those who grew up with “Winnie the Pooh” (the Disney version or A.A. Milne’s books) as their reference point for life, the result is a bit of an emotional bombshell. For the children in the audience, this will be another story that promotes the idea behind the “Dao of Fu” – that the bear’s funny maxim actually covers larger truths. For adults, it’s a reminder that living the best of one’s childhood is still no match for the brutality of adulthood. This moral is told with the help of all your favorite characters; Tigger also sang his song. We know who. When Eeyore later dies, “He will do much.”

Live-action movies have become the latest craze for Disney as the studio mines decades of its cartoons for 21st-century remakes. Disney’s most successful efforts so far have been “Cinderella” and “Beauty and the Beast,” which remade megahits and relied heavily on the original source material — in some cases, practically matching the cartoon versions they depicted.

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Despite its popularity as a franchise, “Winnie the Pooh” hasn’t really had a major movie revival. The first 1966 film was an animated short, as were the 1968 and 1974 follow-ups. It took more than ten years to make the first film of the franchise, and it was less a stand-alone film than a series of short vignettes strung together. In short, remaking a favorite like Disney’s next year’s “The Lion King” isn’t easy.

As a result, Disney had to get creative. The music in “Christopher Robin” is by Jim Cummings, the man who has voiced Silly Bear since the mid-1980s. But the dialogue is strung together in a series of Pooh-style one-liners that jostle for space next to a series of familiar Pooh-specific Disney tropes about adulthood — including warnings about marrying into work, celebrating heroic children. The argument is that spirit and, as always, the power of love is strong enough to miraculously resolve any crisis.

While perhaps not the most original, Disney’s one-two punch of nostalgia and idealism is remarkably effective in the history books. The opening sequence, presented through a beautiful page-turning narrative device, charts Robin’s evolution from fun-loving child to soldier, father and supporter. An imaginary boy like Christopher grows up to be Mr. Banks in “Mary Poppins.”

But this isn’t 1910, and Julie Andrews (or Emily Blunt) doesn’t appear to be lecturing anyone on spoonfuls of sugar. Instead, our now soulless Mr. Robin must be rescued by characters who left her behind years ago. They are also, by the way, old. Fu’s nose is practically hairless and his speech is a bit slurred. Tigger’s colors are faded and the piglet looks torn in places. (I’m guessing the stuffed versions sold in Disney stores are a touch stiffer.) Oh and Eeyore lost his tail, but that’s nothing new.

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The movie prompts Robin to remember how to have fun, but the need for a paycheck is still there. It lets our beloved characters find a new friend to play with — and maybe impart some wisdom. The new girlfriend is Christopher’s daughter Madeline Robin (Bronte Carmichael), which allows the story to shift to human heroes now with girls and boys. Madeline has a bicycle

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