He Once Was A Thug From Around The Way – 1 of 2 Rapper Big Slim, formerly known as Slim Thug, is pictured with one of his cars from his rare collection on Friday, Jan. 24, 2020, in Pearland.
2of 2Slim Thug performs during Z-Ro’s birthday bash at The House of Blues in downtown Houston on Sunday, January 19, 2020. Jamaal Ellis/Contributor Show more Show less
He Once Was A Thug From Around The Way
In an effort to reflect the grown man he is today, Slim Thug says he will now be using a new moniker: Big Slim.
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“I’m growing into a new person,” the Houston rapper said in a recent interview with the Houston Defender. “I’m 41 years old. I don’t want to be called Slim Thug.”
“It just doesn’t fit, you know what I’m saying? I’m really not violent. So now I want to be Big Slim.”
Slim, whose real name is Steve Thomas, said he first earned his rap moniker because he was so thin as a teenager. He added “thugs” because of the braids and gold teeth, he told SOT earlier.
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He rose to national fame after starring in Mike Jones’ 2004 hit “Still Tippin'” and in 2005 when he collaborated with Beyoncé on her hit single “Check On It.” That year he also released his debut album Already Platinum, which received critical acclaim.
The hip-hop genre is no stranger to name changes. For decades, many well-known brands have tried to rebrand themselves, with varying degrees of success.
Like Big Slim, many of these renamings came about growing up, such as Baby going to Birdman or Lil Romeo going to Romeo.
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Some were hits and made it big, like Biggie Smalls transitioning to the Notorious B.I.G., while others failed and only managed to create memes (remember Snoop Lion?).
Other rappers have even changed their names multiple times. Lil Bow Wow became Bow Wow and then Shad Moss, while Sean “Diddy” Combs once went by Puff Daddy, P. Diddy and Diddy.
“I have big plans [for the future] … so join the ride to see where it goes,” Slim told the Defender.
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These “big plans” include a new album with 11 songs “BIGslim”. He also hopes to continue making waves as a developer and investor through his company, Boss Life Construction, which restores abandoned homes.
Slim previously helped increase property values in Acres Homes, a predominantly black neighborhood in Houston, while providing affordable housing for families in need.
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Restaurants & Bars Restaurants & Bars How 1 Year and 4 Featured Restaurants Changed Houston’s Dining Scene Forever The 2012 openings of Uchi, Underbelli, Oakheart and The Pass & Provisions paved the way for national recognition for Houston restaurants. Bao Ong, Kirkland An Twenty-five years ago, Bone Thugs-N-Harmonies took the real-life tragedy that surrounded them and turned it into something that transcended their genre—and fulfilled the promise that Eazi-E saw in them.
No year in hip-hop history stands out like 1996: it marked the height of the East Coast vs. West Coast feud, the debut of several artists who would rule for decades to come, and the last moment before the battle lines between the mainstream. and “underground” are completely withdrawn.
, will explore landmark releases and moments from a quarter of a century ago that redefined the way we think about the genre. Today we celebrate this story of Bone Thugs-N-Harmony and the biggest rap song of that year or almost any other: “Tha Crossroads,” released in early 1996.
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By 1993, Eazi-E had achieved things most rappers only dream of. N.V.A, the group he co-founded and organized in the late 1980s, redefined hip-hop and brought gangsta rap into the mainstream. He had several successful solo projects on Ruthless Records, the label he had founded with Jerry Heller just a few years earlier. He dined with the president — perhaps as an unwelcome guest — and founded a film production company. He seemed happy: he was rich, he liked to ride a skateboard, he had girlfriends. But one thing struck Eric Wright: he still hadn’t found a way to match the heights N.V.A had reached, commercially or culturally.
Ice Cube and Dr. Dre had no such problems. The former, who had left N.V.A by 1990 following Heller’s allegations of financial improprieties, had established himself not only as a superstar solo rapper, but also as a rising Hollywood talent following his role in Boyz n the Hood (which coincidentally shared name with Eazi’s biggest solo hit). Dre, meanwhile, redefined hip-hop again in 1992 when he released The Chronic. Eazi’s former partners hugged him and laughed in his face as they did so-
Single “Fuck With Dre Day” took some thinly veiled shots at Eazy and Heller, while its music video left no room for confusion. Eazi responded with his own diss track and called Dre a “studio gangster” during the visit
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, but no matter how cool he looked wearing his trademark Compton hat and sunglasses, he was clearly shaken by the altercation. Eazy, who famously avoided alcohol and drugs to stay sharp during his early days as a racer, began getting high and drinking Jack Daniel’s. Some close to him felt that his new habits were a direct result of his inability to keep up with his previous groups. “I think he was trying to cover up how he felt abandoned and embarrassed,” his one-time assistant, Cherice Henry, told Ben Westhoff in a 2016 book.
A look back at the highlights from one of the most important years in hip-hop history.
, Jerry Heller said that Eazy was obsessed with beating Dre and Cube. In the early days of Heller and Eazi’s partnership, they established a policy of working on only one release at a time. After Dre’s solo career exploded — and after he proved it wasn’t a fluke by producing Snoop Dogg’s quadruple-platinum
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1993 – Eazi abandoned that rule. At one point, Heller recalls, Ruthless was working on 29 different albums at once. Some were from die-hard supporters of Above the Law and MC Ren. The others were from the upstarts that Eazi connected with: two unusual girl groups, H.V.A. (short for “Hoez With Attitude”) and Menajahtva (pron
, of course); the unapologetic Jewish group Blood of Abraham; another group called Atban Klann, led by rapper-producer Vill 1X, who would later become famous as vill.i.am.
But Atban Klann never released an album, and none of the other new bands sold more than 40,000 units on their first release. Eazy’s plans to build a ruthless empire to rival Death Row seemed like a long shot at best. He then decided to call the Cleveland kids who were following his assistant.
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Desperation brought Eazi-E to Bone. It also brought the inseparable quintet from Ohio to California, where they sought out the man who would become their early mentor. The group had several names — first Band Aid Boys, then B.O.N.E. Enterprise, then until 1993, just Bone—and lineups, but by the early ’90s they had settled down to five members: Bizzy Bone, Vish Bone, Kraizie Bone, Laizie Bone, and Laizie’s older brother, Flesh-n-Bone. They basically lived together and spent most of their time hanging out on the E corner. 99. and St. Clare Avenue in Cleveland, dreaming of their date.
Flesh-n-Bone funded the trip to California. He saved money from his job working at Kentucky Fried Chicken and bought five one-way tickets to the Golden State. They arrived at a friend’s house in Visalia, a small town about 180 miles north of Relentless’ headquarters in the San Fernando Valley. The plan wasn’t exactly safe. But Bone had one thing going in their favor: a tenacity that bordered on obsession. As the band said
Two years later, they would call Eazi’s office multiple times every day; at night they were rhyming along to their hero’s new single, “Real Muthaphuckkin G’s,” and watching the video request channel, Bok. When the funds started to run out, the guys started robbing the pizza delivery guys. It looked hopeless – until it wasn’t. “He called us back one day,” Kraizie Bone recalled to Hip-Hop DX in 2013. “I was rapping for him on the phone and it was just crazy. He just went crazy.”
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Eazy was about to go on tour, so he couldn’t invite them to Los Angeles, but he soon had a date in their hometown. Bone scraped together the money to fly back to Cleveland to meet him. There they auditioned as a group, and as legend has it, Eazi immediately offered them a deal. “Jerry, you’re not going to believe these crooks I’ve got here,” Heller recalled Eazy yelling during an excited call back to Ruthless. “They’re practically homeless, man, when I met them, they were all huddled around a dirty barrel with a fire in it, trying to keep warm. You should listen to them, Jerry! Send him the bus tickets and get out of there.”
Even today, one can clearly hear what Eazy fascinates about Bone. It works like Das
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