Al Pacino Political Views

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Hours before filming his first scene with Robert De Niro and Al Pacino in Martin Scorsese’s The Irishman, Stephen Graham called his wife for a quick chat.

Al Pacino Political Views

“I called the missus and said, ‘I don’t know if I can do this. I’ve run out of water,'” says the British actor, already a Scorsese veteran despite last being seen in Channel 4’s The Virtues.

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. He goes, “Shut up and listen: you’ve earned the right to be there, and you know what you’re doing. Also, Martin Scorsese asked you back a third time, so he must see something in you. But my ass is gone.

It’s a special kind of film that reunites De Niro and Pacino for the first time in a Scorsese film. They previously starred together in Michael Mann’s epic crime drama

This is De Niro’s ninth collaboration with Scorsese, but Pacino’s first. The director’s obsession brought the famous Joe Pesci out of semi-retirement. Even Harvey Keitel is in good shape. For Graham, who was born the year Marty and Bob first worked together (

The Irishman,” Reviewed

In 1973), acting with this cast under this director was an experience that required some pinching itself.

It’s nothing but another damned piece of cinema. In fact, film would never have existed without the advent of streaming. In 2013, Scorsese earned $392 million for The Wolf of Wall Street , but three years later, he proved himself wrong at the box office with the historical drama Silence , which didn’t even recoup half of its $50 million budget. Paramount Pictures backed out, reluctant to throw money at what its capitalists now saw as a gamble, and Netflix stepped in with its eyes on the open target.

Surprisingly, the film’s journey to the screen was more than a decade ago. In 2006, De Niro signed on to play an aging assassin in a planned version of Scorsese’s Don Winslow novel.

Al Pacino’s Driving Force

– published two years ago – in preparation. What he found was a mob drama. He claimed to be a mob hitman, personally responsible for some of the most infamous mass murders in American history and indirectly complicit in other historical events – weapons to be used in the failed US invasion of Cuba and possibly the gun used to kill President John. F. Kennedy.

Scorsese tells the story of Sheeran confessing his crimes to former Teamsters president Jimmy Hoffa (Pacino) and Mafia godfather Russell Bufalino (Pesci) in flashbacks. I think so

De Niro says, “I had to read the book for research, and after about a week or two, I said to Martin, ‘You’ve got to read this,’ and he agreed that’s what we should do. Naively, we thought we could somehow bring the two together, even though we really knew it wasn’t going to happen. We tried to convince Paramount, but they were just two different creatures. Then Steve Sailian came in [to write the script] and we had to wait for Marty to finish

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The years passed, each intensifying the shining theme: the actors were getting older. Scorsese was adamant that his stars could play their characters at every stage of their lives (the story spans four decades) and felt the anti-aging technology needed to do the job justice was just around the corner. The process may have been a new experience for the actors — though they haven’t spoken out against Scorsese’s disdain for Marvel movies, having never starred in one — but the “resurgence” technique certainly had a fan in Al Pacino.

“Not for me,” he says when asked if the process is challenging. “It’s weird because when you’re doing a film, you’re just accepting whatever happens. Whether you’re wearing a scarf or whatever, you’ll do anything for the context of the film. We had little dots on us, which I loved after a while. Putting them on became a form of preparation. That’s my make-up. was.” De Niro calls the process “uncomplicated,” adding, “They said, ‘Be yourself, do yourself, and we’ll age you.’ We didn’t have to do anything.”

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I ask if the pair would consider reprising their roles in an adaptation of their literary prequel

Mann is writing now. (The 1995 film starred Pacino as brutal cop Vincent Hanna and De Niro as criminal mastermind Neil McCauley.) Both smiled at the prospect.

“You never know,” says De Niro. Pacino – who turns 80 in April – is particularly excited by the idea: “You mean we can be younger in the future? That’s what I definitely want to do.”

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It’s a return to Scorsese’s best work: gangster epics. This is a film that stands apart from the classics of the 90s

(1995) and not just time. In her five-star review, critic Clarice Loughrey describes it as “a return to the director’s golden age” — and yet, something only Scorsese, De Niro, and Pacino could have done at this point in their careers.

It’s not about the vicissitudes of friendship — it’s a meditation on aging and death that lingers with viewers long after the end credits. I wonder if De Niro, now 76, was thinking about his own mortality while filming scenes in which he plays Sheeran, a wheelchair-bound nursing home resident in his twilight years?

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“How can I not think? Any person with any sort of awareness of themselves and their circumstances would.

(1975). The actor admits to watching recent releases and struggling to see the residual influence from those films. However, De Niro thinks the similarity comes from the depiction of violence – which he believes is a melancholy caution due to the US president, who he believes is leading America to war. In the past, the actor has been very vocal about his dislike for Donald Trump, and today he does not disappoint.

“Trump only cares about one thing: He wants to be the boss,” says De Niro. “He will be the boss anyway. If he wins the next election, there’s definitely a better chance he’ll let us go to war, and if you’re a president at war, you’re more likely to run for a third term. Imagine him in his third term.

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De Niro continues, “I’m very used to having different types of people from different cities and communities living together. This is the rule. When people start divisive and point out differences – and then they conclude that something needs to be done about it – that’s the danger.

Pacino remains silent on the subject of politics, letting his co-star’s brutality run its course. Otherwise, whether he’s talking about the Seventies (“I don’t remember them for a lot of reasons,” he quips) or working, he jumps into questions about the past and takes time to give reflective answers. with

Actor Graham plays Genovese crime family member Anthony Provenzano – ‘Tony Pro’. Pacino is someone who doesn’t like photo albums gathering dust.

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He says the press tour cost him his job and his friendship with De Niro.

“I’m not sure if people know this, but Bob and I met when we were young actors in the ’60s and we got to know each other very well over the years. At some point in our lives, relatively unexpected things happened, so we got together and shared it. We found some comfort in that.” He does not elaborate.

Anthony Hopkins won his second Oscar for ‘The Father’, beating Chadwick Boseman, who died in 2021, in a shock win. Hopkins, who was unable to attend the ceremony in person, won before his breakout performance against serial killer Hannibal Lecter. The Silence of the Lambs by Jonathan Demme

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Renee Zellweger won her second Academy Award for her portrayal of Judy Garland in the 2019 film Judy. The actress previously won Best Supporting Actress for her performance in 2004’s Cold Mountain.

Maharshala Ali became the first Muslim actor to win an Oscar after winning Best Supporting Actor for Barry Jenkins for his role in Moonlight. Two years later, it would go on to win the same trophy for the eventual Best Picture winner, Green Book.

The Austrian-born actor’s longtime collaboration with controversial director Quentin Tarantino brought him into the public eye. In Inglourious Basterds, Waltz plays the terrifying Nazi Colonel Hans Landa, and in Django Unchained, dentist-turned-bounty hunter Dr. King Schultz. Both roles won Academy Awards for Best Supporting Actor.

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Spacey won two

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