Best Crime Thriller Books – Ajay Chowdhury and Ian Rankin are among the authors of this year’s standout novels, including Cozy Escapes, Suspicious Cops, and Murder Told Backwards.
Given the grim nature of this year’s news, it’s surprising that cozy crime-style escapism continues to challenge traditional crime/thriller bestsellers with Richard Osman’s third Thursday murder club mystery, The Bullet That Missed (Viking). no. High. From the chart. The past 12 months have seen a flood of great books at the cozy end of the spectrum, from Ajay Chowdhury’s second crime novel The Cook (Harvill Secker), set in an East London curry house, to veteran Canadian author Louise Dem Penny’s 18 Years Old. . Armand Gamache novel, The World of Curiosities (Hodder & Stoughton).
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Creativity also seems to be on the rise. Janice Hallett’s second novel, The Twyford Code (Viper), recorded as an audio file taken from her iPhone, is very clever and moving. Writers such as Gillian McAllister, whose brilliantly plotted time-traveling murder mystery Wrong Place Wrong Time (Michael Joseph), and Gabino Iglesias, whose powerful Southern noir thriller with supernatural elements The Devil Takes You Home (Wildfire), have also written Please provide a welcome opportunity to . Others approached familiar tropes from new angles. The protagonist of CS Robertson’s The Undiscovered Deaths of Grace McGill (Hodder & Stoughton) is not a police officer but a “death sweeper.”
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This year was highlighted by a collective groan from crime fiction critics as the results of yet another male celebrity shutdown department landed on their doormats (perhaps the female celebrities were too busy homeschooling). The most impressive of these is Frankie Boyle’s Meantime (John Murray). Set in Glasgow during the 2014 Scottish independence referendum, this film is funny and moving.
Even though they are not celebrities, there have been many excellent debut works. Standout works include Patrick Worrall’s complex spy thriller The Partisan (Transworld); Conner Habib’s Hawk Mountain (Transworld) is a paranoid and troubling tale of masculinity in crisis. and Wake (Hodder & Stoughton), from Australian newcomer Shelley Burr, delicately exploring the aftermath of trauma in a sprawling city. Katie Gutierrez’s More Than You’ll Ever Know (Michael Joseph) is an intelligent and nuanced examination of the complex relationship between a true crime writer and her subjects, female bigamists. And The Maid by Nita Prose (HarperCollins) will have you rooting for protagonist Molly, who finds herself caught in her web of deception at the luxurious Regency Grand Hotel.
Recent revelations have revealed that the British public’s growing distrust of the police is part of Britain’s permanent crisis. Ian Rankin, creator of Ingenious Cop John Rebus, recently commented that there are “big questions” for writers writing police procedurals. “With the current state of the world, can you write about the police and make them feel better? If you look around, you see that a lot of times the police are not very good.” In his latest mystery novel, A Heart Full of Tombstones (Orion), a police officer accused of domestic violence gathers his suspicious colleagues and attempts to make a deal.
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There have been strong additions to other long-running and beloved police series, such as Give Unto Others (Hutchinson Heinemann), Donna Leon’s 31st novel featuring Commissario Brunetti, and The Murder Book (Little, Brown), Mark’s 18th novel. Billingham is Tom Thorne. Recent additions to the police procedural include Elly Griffith’s DI Harbinder Kaur, in her third outing in Bleeding Heart Yard (Quercus), and Alan Parks’ mid-70s Glaswegian detective Harry McCoy, in his fifth outing in God Forgive in May. . (Cannon Gate). Also worth reading is Maror by Lavie Tidhar (Apollo), an epic multi-generational thriller set in Israel and centered around a mysterious police officer.
Highlights of historical crime include Leonora Nattrass’s Blue Water (Viper), a seafaring thriller set in 1794, and The Lost Man of Bombay (Hodder & Stoughton), the third in Vaseem Khan’s excellent series set in the aftermath of the Partition of India. There is. Alternate history is well served by the thoroughly chilling Queen High (Quercus), the sequel to last year’s excellent Widowland, which imagines post-war Britain under Nazi rule.
Although the field of translated crime fiction appears sparse at the moment, the quality is high. Olivier Norek’s impressive police Breaking Point (MacLehose, translated from the French by Nick Caister) and Antti Tuomainen’s delightfully funny The Moose Paradox (Orenda, translated by) are excellent. Translated from Finnish) by David Hackston). Overall, the genre seems good for a broader church, less formal and more exciting.Copyright © 2023, Los Angeles Times | Terms of Service | Privacy Policy | CA Collection Notice | Do not sell or share my personal information.
The Best Thrillers Of 2020
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With spring quickly approaching, it’s time to take a look at this winter’s wealth of thrillers, from beloved series to surprising debuts. Here are the most notable offenses through the end of the season:
Slocum, who majored in violin and viola, is part of a small minority of black classical musicians, less than 2%. He has been performing and lecturing for over 25 years for his debut thriller, which deftly switches between two story lines. In the first, North Carolina’s Rayquan “Ray” McMillian suffers a tragic setback as he prepares for the most important Tchaikovsky competition of his career. The second, equally fascinating work, deals with teenage Ray’s struggle to become a classical violinist in the face of racial discrimination and slurs.
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Combining thriller and Bildungsroman, the MacGuffin is a violin once played by PopPop, Ray’s enslaved great-grandfather and possibly the son of the Marks plantation owner. Grandma Nora encourages Ray to look for PopPop’s instruments in her attic, despite the nagging of Ray’s mother, a Dickensian moneymaker who wants Ray to stop his “stupidity”, get his GED, and work at Popeyes.
When Ray discovers a badly damaged violin one Christmas, her grandmother hands it to the young man with a blessing. In gratitude, Ray plays Vivaldi’s “L’Inverno” for his family, and based on Slocumb’s sharp prose, the novel soars. Slocumb wrote, “The melody begins slowly, with plucking strings and snowflakes falling dreamily.” “Then a rush of cold air, swirling snowflakes, a cold beat and a north wind passed through the living room.”
Igor Levit has launched the historic return of Thomas Mann’s piano after 70 years to his Brentwood home, which has been home to many notables from the world of film and literature.
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At a local competition, Ray connects with a black classical music professor who mentors him through college and whose professional restoration of a violin turns out to be a $10 million Stradivarius. All hell breaks loose and brings some bad actors out of the woodwork, including most of Ray’s family. Descendants of the Marks family want their violin back for alleged “theft”; And a real thief who steals the inheritance just weeks before the big convention.
Even for readers who don’t know much about music, the results of the contest, the fate of Ray’s violin, and the conspiracy behind its theft will be enough to provide supreme entertainment. (Slocumb also offers helpful playlists.) The book also serves as an important affirmation that black classical musicians matter.
The protagonist of Ferencik’s third thriller, Val Chesterfield, is a Boston linguist whose love of language hides a closeted life masked by anxiety and numerous phobias. She is the polar opposite of her twin brother Andy, an adventurous climatologist whose concerns over the increasing incidence of deadly ice storms lead him to join his mentor Wyatt Speeks to conduct experiments at a remote Arctic outpost. There he lost his twin, braving sub-zero weather and pleading for his death, leaving his 91-year-old father convinced that Speaks had killed his son. Five months later, Speeks Mailen Val discovered a recording of the girl’s vocalizations frozen in ice. Can you help her decipher it? Paralyzed by her insecurities, Val is hesitant to join her, but her father, eager to prove he is right, gives her an ultimatum: “Go, Val, or don’t come see me again.”
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Jim Shepard has gained a cult following for his stories of the horrors of history. “Stage Six,” about a future pandemic, is his most modern novel to date.
Before long, Val is faced with her fear of flying and her claustrophobia. They become trapped in close quarters with the girl Speeks, a taciturn mechanic and two polar marine scientists. An ominous cloud of suspicion, as unforgiving as an arctic storm, surrounds the camp. Val calls it “enormous.” The emotional and physical space was so overwhelming that I couldn’t handle it without drugs or alcohol.
Nonetheless, Val forms a bond with a nine-year-old girl known as Sigrid and conducts an increasingly dangerous undercover investigation into Andy’s death. Once you get over the disbelief at Sigrid’s chances of recovery, Val’s courage in the face of serious limitations feels touching and true.
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He is known to succeed even in difficult circumstances,
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