Big Lebowski Shomer Shabbos – The test of time is not very fair. Even movies that audiences love and critics praise don’t bear watching again. In this sense, 20 years after its release, “The Big Lebowski” is considered a true anomaly: it became one of the great cult films of its time, despite unfavorable reviews on its release and a lukewarm audience reception. So his legacy is hard to measure. People said the plot was muddled, that the directors, the Coen brothers, were too clever for their own good, and that its leads, Jeff Bridges and John Goodman, were wasted on sketchy characters who went nowhere.
Last month, the Washington Post asked some of the top critics who sat on the film in 1998 if they had changed their minds later. Most of them admit that they have completely escaped. “The problems start with the plot,” Alex Ross wrote in Slate 20 years ago. Her comments today reflect her change of heart: “I’m afraid someone will dig it up!” Like many critics, Ross couldn’t understand how the same man who had won an Oscar just two years earlier for “Fargo” produced a film that lacked a coherent plot.
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Writing in The New Yorker in 1998, Daphne Merkin observed, “The Coens couldn’t be bothered—or perhaps didn’t know how—to make the connection between what was inside their clever heads and the slow, sometimes painful world in which we all live, live it when we’re not watching movies.
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The Coen brothers had made some very stylized comedies up until then, but “Lebowski” was attracting new audiences who weren’t interested in “Fargo.” In the film, Jeffrey “The Dude” Lebowski becomes the victim of a thug who is actually looking for a different Jeffrey Lebowski. After one of the perpetrators urinated on a carpet in his house, the dude abandoned his bowling routine and laziness to find another Lebowski and demand restitution. The world may be too narrow, but our heroes want to do justice in the form of a replacement carpet. Thus an arbitrary event, causing negligible damage – a wet carpet – produces a no less arbitrary chain of events.
The setting is a surreal version of Los Angeles with musical embellishments. But the plot was never the main thing for fans. What intrigues them is the collection of characters that gather around The Dude at the bowling alley. In addition to his friends Walter and Donny, there is a rich old man and his missing young wife, a group of German nihilists and a memorable pedophile played by John Turturro. “Every time [the movie] comes on TV, I’m like, ‘Oh, okay, I’m just going to see a few scenes. I’d wait until [John] Turturro licked the bowling ball and then I’d kill her.’ But I never did,” Bridges told the Guardian newspaper a few years ago.
“The Big Lebowski,” like its protagonist, is an unconventional film in every way, and its road to success is even more remarkable. Festivals are now held in every part of the world where thousands of participants dress up as characters from movies. Internet memes, Facebook groups, and tribute sites are important elements of the scene. The movie even spawned a so-called religion, “Dudeism,” which boasts at least 450,000 supposedly ordained priests. The dude is clearly the modern incarnation of Jesus, and the underlining by the faithful is the hero’s declaration of his doctrine at the end of the film: “The Dude stayed.”
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The film is a product of the 1990s in the sense that young viewers are discovering it mainly through video and DVD. Some missed it at the cinema, others saw it but didn’t like it at the time. However, at home, in their free time, perhaps with a common, they like it. Unusual success stories keep pace with the growth of the Internet and post-9/11 realities. The desire to live a quiet, smoky life in the face of a chaotic and arbitrary world is growing amid the security and economic uncertainty of the 21st century. The internet, for its part, enables widespread fandom to rally around a shared cultural hero. Will Russell, of Louisville, Kentucky, is an important member of the fan community – and he got involved almost by accident.
“This started in 2002, as a joke,” Russell said by phone. “A friend and I were selling tattoos at a convention and we got really bored. We started quoting lines from ‘The Big Lebowski’. Front and back. Suddenly the people in the adjacent booth joined in with their own squads. We had this moment where we realized we weren’t alone in our love – or some would say obsession – with this movie. It was a magical experience of bonding with a stranger almost instantly. We started talking about movies, sharing a few things and then looked around the convention. We are completely out of our element. You can see someone get suspended by tapping their butt. We were like, “This is weird. If they can do weird tattoo conventions like this, why can’t we do “Big Lebowski” conventions?
To cut costs, Russell and his friends rented a bowling alley on the cleaner side of Louisville. They hoped 20 people would show up, maybe 15. But the first event drew 150 fans, some dressed as characters from the movie. They flock the place to go bowling, take trivia quizzes and of course watch movies. “Thus, Lebowski Fest was born,” Russell recalls.
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A year later, he and his friends decided to repeat the experience, and at this stage the game and the internet came into play. Popular magazine Spin found out about the festival through Russell’s website and listed Lebowski Fest as “one of those events you can get.” I can’t miss this summer.” “All of a sudden it blew up,” Russell said. “All the events we had planned were sold out and we brought in our first special guest, Jeff Dowd, who was a real inspiration for The Dude.”
Since then, thanks to the web, Lebowski Fest has become a pan-American phenomenon, moving from city to city over the past 17 years. Efforts are underway to repeat the festival in other countries, including at least one event held in Jerusalem in 2011. This year, on the film’s 20th anniversary, the excitement is still not waning: A major festival is planned for Los Angeles next month. of the main event in Louisville in the summer.
In fact, the film was an acquired taste even for Russell, who has since devoted nearly two decades of his life to it. “It was only the third time I fell in love with him, I fell in love with him. I started laughing and quoting the movie all the time,” he said and gave an explanation: “One of the terms of a cult movie is an initial commercial failure. It’s also probably the first cult movie of the Internet age, really.”
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In the eyes of fans – and critics who panned the film but later fell in love – viewers had to get past the plot to connect with the characters and sharp dialogue. The dude is, of course, the great cultural hero to emerge from the movies. One of his most famous lines has become a common internet response: “Yeah, yeah, it’s like, you know, your opinion, man.” In Israel, on the other hand, you’re more likely to see a T-shirt featuring Walter John Goodman’s character, with another quote from the movie: “Shomer fuck Shabbos.”
Just as The Dude was a product of the pacifist counterculture of the 1960s, Walter is also a refugee of that decade – but from a different angle. A Vietnam veteran, he believes that violence is a very good solution to most problems. He also became a devout Jew after his last marriage, although he was divorced. He talks a lot about his religion throughout the film, citing Maimonides and even quoting Herzl in the bowling conversation: “If you want, man, it wasn’t a dream.”
There is something tempting in interpreting Walter as a kind of metaphor for Israel. Some prefer to focus on his converted status, but ultimately Walter is a Jew who has experienced many horrors in his life and is in a post-traumatic state. But he also has a tendency to pull out the gun and overreact to situations. When The Dude scolds him for living in the past, he explodes in anger “Three thousand years of beautiful tradition, from Moses to Sandy Koufax – YOU’RE RIGHT, I’M LIVING IN THE PAST!”
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Asked what he thought of this aspect of the film, Russell noted that he lives in Kentucky, which is
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