Children’s Literature is a Webnovel created by Erle Elsworth Clippinger and Charles Madison Curry.
This lightnovel is currently completed.
“I command that he shall appear this evening, and sing before me,” said the Emperor. “All the world knows what I possess, and I do not know it myself!”
“I have never heard him mentioned,” said the cavalier. “I will seek for him. I will find him.”
But where was he to be found? The cavalier ran up and down all the staircases, through halls and pa.s.sages, but no one among all those whom he met had heard talk of the Nightingale. And the cavalier ran back to the Emperor, and said that it must be a fable invented by the writers of books.
“Your Imperial Majesty cannot believe how much is written that is fiction, besides something that they call the black art.”
“But the book in which I read this,” said the Emperor, “was sent to me by the high and mighty Emperor of j.a.pan and therefore it cannot be a falsehood. I _will_ hear the Nightingale! It must be here this evening!
It has my imperial favor; and if it does not come, all the Court shall be trampled upon after the Court has supped!”
“Tsing-pe!” said the cavalier; and again he ran up and down all the staircases, and through all the halls and corridors; and half the Court ran with him, for the courtiers did not like being trampled upon.
Then there was a great inquiry after the wonderful Nightingale, which all the world knew excepting the people at Court.
At last they met with a poor little girl in the kitchen, who said:
“The Nightingale? I know it well; yes, it can sing gloriously. Every evening I get leave to carry my poor sick mother the sc.r.a.ps from the table. She lives down by the strand; and when I get back and am tired, and rest in the wood, then I hear the Nightingale sing. And then the water comes into my eyes, and it is just as if my mother kissed me.”
“Little kitchen girl,” said the cavalier, “I will get you a place in the Court kitchen, with permission to see the Emperor dine, if you will but lead us to the Nightingale, for it is announced for this evening.”
So they all went out into the wood where the Nightingale was accustomed to sing; half the Court went forth. When they were in the midst of their journey a cow began to low.
“Oh!” cried the Court pages, “now we have it! That shows a wonderful power in so small a creature! I have certainly heard it before.”
“No, those are cows lowing,” said the little kitchen girl. “We are a long way from the place yet.”
Now the frogs began to croak in the marsh.
“Glorious!” said the Chinese Court preacher. “Now I hear it–it sounds just like little church bells.”
“No, those are frogs,” said the little kitchen maid. “But now I think we shall soon hear it.”
And then the Nightingale began to sing.
“That is it!” exclaimed the little girl. “Listen, listen! and yonder it sits.”
And she pointed to a little gray bird up in the boughs.
“Is it possible?” cried the cavalier. “I should never have thought it looked like that! How simple it looks! It must certainly have lost its color at seeing such grand people around.”
“Little Nightingale!” called the little kitchen maid, quite loudly, “our gracious Emperor wishes you to sing before him.”
“With the greatest pleasure!” replied the Nightingale, and began to sing most delightfully.
“It sounds just like gla.s.s bells!” said the cavalier. “And look at its little throat, how it’s working! It’s wonderful that we should never have heard it before. That bird will be a great success at Court.”
“Shall I sing once more before the Emperor?” inquired the Nightingale, for it thought the Emperor was present.
“My excellent little Nightingale,” said the cavalier, “I have great pleasure in inviting you to a Court festival this evening, when you shall charm his Imperial Majesty with your beautiful singing.”
“My song sounds best in the green wood,” replied the Nightingale; still it came willingly when it heard what the Emperor wished.
The palace was festively adorned. The walls and the flooring, which were of porcelain, gleamed in the rays of thousands of golden lamps. The most glorious flowers, which could ring clearly, had been placed in the pa.s.sages. There was a running to and fro, and a thorough draught, and all the bells rang so loudly that one could not hear one’s self speak.
In the midst of the great hall, where the Emperor sat, a golden perch had been placed, on which the Nightingale was to sit. The whole Court was there, and the little cook-maid had got leave to stand behind the door, as she had now received the t.i.tle of a real Court cook. All were in full dress, and all looked at the little gray bird, to which the Emperor nodded.
And the Nightingale sang so gloriously that the tears came into the Emperor’s eyes, and the tears ran down over his cheeks; then the Nightingale sang still more sweetly, that went straight to the heart.
The Emperor was so much pleased that he said the Nightingale should have his golden slipper to wear round its neck. But the Nightingale declined this with thanks, saying it had already received a sufficient reward.
“I have seen tears in the Emperor’s eyes–that is the real treasure to me. An Emperor’s tears have a peculiar power. I am rewarded enough!” And then it sang again with a sweet, glorious voice.
“That’s the most amiable coquetry I ever saw!” said the ladies who stood round about, and then they took water in their mouths to gurgle when anyone spoke to them. They thought they should be nightingales too. And the lackeys and chambermaids reported that they were satisfied also; and that was saying a good deal, for they are the most difficult to please.
In short, the Nightingale achieved a real success.
It was now to remain at Court, to have its own cage, with liberty to go out twice every day and once at night. Twelve servants were appointed when the Nightingale went out, each of whom had a silken string fastened to the bird’s legs, which they held very tight. There was really no pleasure in an excursion of that kind.
The whole city spoke of the wonderful bird, and whenever two people met, one said nothing but “Nightin,” and the other said “gale”; and then they both sighed, and understood one another. Eleven pedlars’ children were named after the bird, but not one of them could sing a note.
One day the Emperor received a large parcel, on which was written, “The Nightingale.”
“There we have a new book about this celebrated bird,” said the Emperor.
But it was not a book, but a little work of art, contained in a box–an artificial nightingale, which was to sing like a natural one, and was brilliantly ornamented with diamonds, sapphires, and rubies. So soon as the artificial bird was wound up, he could sing one of the pieces that he really sang, and then his tail moved up and down, and shone with silver and gold. Round his neck hung a little ribbon, and on that was written, “The Emperor of China’s nightingale is poor compared to that of the Emperor of j.a.pan.”
“That is capital!” said they all, and he who had brought the artificial bird immediately received the t.i.tle, Imperial Head-Nightingale-Bringer.
“Now they must sing together; what a duet that will be!” cried the courtiers.
And so they had to sing together; but it did not sound very well, for the real Nightingale sang its own way, and the artificial bird sang waltzes.
“That’s not his fault,” said the playmaster; “he’s quite perfect, and very much in my style.”
Now the artificial bird was to sing alone. It had just as much success as the real one, and then it was much handsomer to look at–it shone like bracelets and breastpins.
Three and thirty times over did it sing the same piece, and yet was not tired. The people would gladly have heard it again, but the Emperor said that the living Nightingale ought to sing something now. But where was it? No one had noticed that it had flown away out of the open window, back to the green wood.
“But what has become of that?” asked the Emperor.
And all the courtiers abused the Nightingale, and declared that it was a very ungrateful creature.
“We have the best bird after all,” said they.
And so the artificial bird had to sing again, and that was the thirty-fourth time that they listened to the same piece. For all that they did not know it quite by heart, for it was so very difficult. And the playmaster praised the bird particularly; yes, he declared that it was better than a nightingale, not only with regard to its plumage and the many beautiful diamonds, but inside as well.
“For you see, ladies and gentlemen, and above all, your Imperial Majesty, with a real nightingale one can never calculate what is coming, but in this artificial bird, everything is settled. One can explain it; one can open it and make people understand where the waltzes come from, how they go, and how one follows up another.”
“Those are quite our own ideas,” they all said.