Cry Even Better If You Beg

Cry Even Better If You Beg – Last week, before another screening at the Toronto International Film Festival, as I sat down in a chair at the Princess of Wales Theater and took out my notebook, a lovely older couple sitting behind me tapped me on the shoulder. . “Please, are you a reporter?” asked the woman through her mask.

As I bowed and said that I was, her husband asked me with fear in his voice, “Did you see?

Cry Even Better If You Beg

The film in question – the screen adaptation of the Tony Award-winning Broadway musical, directed by Stephen Chbosky and starring the film’s star Ben Platt – had its opening night at the festival a few days ago. The story of a troubled high school student named Evan, who lies about his friendship with a fellow student who died of suicide in order to gain attention, it was originally expected that the festival. Yes, I see that. Many commenters did.

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I’m still thinking about how I feel about him, with the help of a magazine about, of all people, the great saxophone-jazz star Kenny G. (More on that later.) I don’t know exactly what’s wrong with the kind man. asked him. . So I fell a little to avoid his influence.

They really are. There are a lot of things that clearly don’t work about the movie, and the critical response hasn’t stopped. There are some problems in the film. Ben Platt, 27, is old enough to go to high school, and the behavior he follows to get into the role of Evan’s insecurity makes him seem older. The direction seems to make things worse at times, and many things are close to his face and the confusion of space.

I could ignore all of this if it wasn’t a true story. I didn’t know until recently

Evan Hansen is a sociopath with a broken wrist who suffers from severe social anxiety and depression. His therapist had told him to write letters to himself – starting, of course, with “Dear Evan Hansen” – and one day he would publish them at school. The letter is picked up by Connor, one of the high school’s other (and annoying) people, whose younger sister Zoe is in love with Evan. Connor uses a Sharpie to point out Evan’s missing cast, which looks like a kind of friendship declaration, but when he sees Zoe’s name on the letter, he runs away.

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Connor’s parents were able to find Evan’s letter about him – addressed to Evan – and realized that it was a letter from Connor to Evan, a sign of a close and fruitful friendship. They go to visit Evan to talk about his best friend, Connor. Evan, wiped out in time, does not fix them. Soon, he becomes the beloved source of connection that they lost in the misunderstanding of their son and brother (including Zoe), as well as the focus of a school that opposes suicide, which he accepts with growing enthusiasm.

It must be a slur, or something offensive, or something. No one cared about Connor until he died, and no one cared about Evan until he got involved with Connor. The grand finale, “You’ll Find Out,” in which the film acts as a social media campaign affecting the lives of millions of people across the country, should be the highlight. Connor, crucially, didn’t find her, without her version of the horror story that wasn’t true and real, and neither would Evan. It might make sense to pay attention to someone because you saw them sing on YouTube, but we all know how quickly viral videos can go viral.

But all these processes are called static. Everything falls apart for Evan in the second, but no one seems to learn anything except Evan, who thanks his mother that he knows she loves him no matter what it does. In other words, it was discovered; It’s bad for Connor’s family and the children at school who are affected by Evan’s lies (especially the girl who struggles with anxiety and leads an anti-suicide group). The whole situation was strange and wrong and he lost a dozen points. It’s an extraordinary freak show.

However, the musical was a hit at its Broadway premiere in 2016 and won nine Tony nominations and six wins, including Best Musical, Best Original Score and Best Actor for Platt. Many reviews are positive, talking about Platt’s performance on the theme of music – being someone else, preventing teenage suicide, learning to accept oneself. An enthusiastic fandom appeared online (“fansons”), many of whom did not make it to the stage production but loved the soundtrack and loved the story.

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Platt’s presence was flawless, but her vocal performance was outstanding; You can see how his performance improves with the distance between the audience and the performer that Broadway offers. (She won a Tony for it in 2017.) The rest of the cast is pretty good, especially Kaitlyn Dever as Zoe (she’s 24, but still portrayed as a teenager) and Julianne Moore as Evan’s loving mother. Amy Adams, Amandla Stenberg and Danny Pino round out the main cast, all of whom are excellent.

And then there are the songs. They’re a huge hit from guitarists Benj Pasek and Justin Paul, a duo best known for their songwriting.

. Picking up music from the basket, they ask to wear a seat belt at the talent show, or when they take a shower, or cry, or in the car window was locked down. There’s a touching love song about Zoe and Evan called “Just Us,” with lines like: “So I give you ten thousand things to never let me go / But it if you really see me / If you like me and nothing. Others / Well, that’s all I need for more time than you will know. I think! that “You will -found” – “Even when it’s dark / When you need a friend to pick you up / And when you break the ground / You will find.” Who does not need such encouraging words in their life? They are true, earworm pop songs.

The thing is, once you see that “you will see” happened in the situation, you opened Pandora’s box. Zoe doesn’t like Evan for who he is; He liked her a lot because of her lies. Evan is so broken down that it’s only when he starts dating someone else that everyone is desperate to find him.

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Not only were those scenes scary, but they were the most painful, or at least they hurt me while watching the movie. Likewise, I felt a (uncomfortable) lump in my throat. I, on the other hand, was angry

Getting such a strong feeling – like connection and compassion and reducing the burden of your loved ones in any way you can – connect with the themes that I really believe – in the part of the story that -no need.

So that brings me to a friend of mine at the theater a few days later, who loves Broadway shows and is worried about the show. —and that makes me wonder what I’ve learned.

Of course about. Why, if this sounds like a story off the wall, is it something to love? How should I think about it?

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(Be Here With Me), a documentary about a real-jazz sax crooner that begins to ask some unanswered questions: Why do people love Kenny G? Why do people hate him? What was their reaction to it in terms of taste, interest and skill?

And The Pain of Others (about women who believe they have Morgellons), director Penny Lane has consistently refused to take the easy way out. His films include Pat No Answer, and

It’s not something else. The sax player is the interviewee in the film, but the music critics around him show all his flaws. His music refuses to be associated with jazz history. It’s easy. It’s a fever. He is a lover of the authorities (one of his songs has been used for many years to mark the end of the working day in China). It was unexpected. In one series, Kenneth Gorelick (real name saxophonist) shows how he creates his music, which includes cutting and keeping individual notes recorded through production software, fully maximizing the basic jazz value of life work and weakness. The hard part.

Kenny G’s music is flat sand, this may be the reason why he is known so well and so well. I don’t want to tell you that he is famous because you have one or two relatives (like me) who love him very much and sometimes drive you away.

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