Feminist Movies – Director Amy Poehler’s “Moxie” is a film that represents a new era of feminism—that is, white feminism.
“F— the patriarchy” might not be the best thing to say to your mother’s new boyfriend when you sit down to dinner with the two of them. Director Amy Poehler’s “Moxie” is a film that represents a new era of feminism—that is, white feminism.
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“Moxie” is based on the book of the same name, which focuses on Vivian Carter (Hadley Robinson). Vivian tries to follow in her mother Lisa Carter’s (Poehler) footsteps by going against everything and starting a rebellion against sexism in high school. She does this by creating an anonymous magazine called “Moxie” that deals with issues happening at school, such as sexist female classmates and unfair dress codes.
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“Moxie” features a diverse cast that lends itself to a more diverse approach to storytelling. Starring Korean-African-American actress Sydney Park, Chinese-American actress Lauren Tsai, Afro-Latina actress Alycia Pascual-Peña, actress Josie Totah, African-American actress Anjelika Washington, and Emily Hopper, an actress with a wheelchair prosthetics. – attached in the movie.
Although “Moxie” looks different on screen, she is very different. As much as white writers and creators try to shine a light on the issues that non-white characters go through, there is a huge disconnect.
One of the most memorable moments of “Moxie” that touches on intersectionality is when Claudia (Tsai), Vivian’s best friend, opens up about what it’s like to be an immigrant girl. Claudia explains why she can’t protest the way Vivian does, pointing out a problem many women of color have gone through. Claudia explains to Vivan that because of her privilege, Vivian will never understand what Claudia’s parents sacrificed to get her where she is today. It’s a good time, but it lasts only a short time and is hardly recognized anymore.
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Vivian lived her life as a passive observer. She started her magazine as a way to bring about change and speak out against sexism, but when she sees the harassment happening right in front of her, she does nothing. This is a common theme throughout the film; Vivian never steps out of her comfort zone and always measures herself. She has so much to prove in everything she does that if no one supported her crusade, she would remain a mere spectator.
The only reason Vivian notices the sexism at her school is because new student Lucy Hernadez (Pascual-Peña) refuses to conform to the school’s old-fashioned discriminatory behavior. It takes someone else to show Vivian that what is happening around her is not normal. Vivian even shames Claudia as a true white savior when she thinks Claudia isn’t doing “enough” to protest the unfair treatment of women by their male classmates. Vivian quickly establishes herself as withdrawn, acting as if there’s only one way to be a woman—and that’s on her own terms.
The plot of the film becomes chaotic and confusing when Vivian starts spinning. Despite Vivian’s determination to change, she clearly doesn’t know how. The plot almost entirely centers around Vivian and whatever personal issues she has. The other characters were 10 times more interesting than Vivian, but had smaller scenes, fewer lines, and underdeveloped character arcs. This movie has the kind of power it could have if it starred someone other than a better white girl.
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Overall, “Moxie” is a great idea for a movie. While it was clear that thought and determination had gone into it, the execution was far from done. Yes, get rid of the patriarchy, but also the racism, transphobia, enabling, and sexual assault that the characters face in this movie. There is a scene at the end of the film where a young black woman stands up and declares that she is black enough and that people shouldn’t touch her hair. An important statement, but it seems to appear out of the box for inclusion. Immediately afterwards, viewers are thrown back to Vivian and her love interest finding each other and looking for a B-type love story.
There are so many hardships throughout the film, but they play second fiddle when Vivian gets her first boyfriend. When big issues come up that affect people other than Vivian, they don’t take priority at all. Both “Moxie” and its protagonist feel very active. There are just a few movies that you absolutely must see. While our hearts still ache for the classics, we’ve started work on a new watchlist that’s just as important. In the wake of International Women’s Day earlier this week, we’re taking a moment to celebrate the achievements and lives of real women whose stories have made it to the big screen. And for good reason. Below, we’ve rounded up the 10 best feminist movies you absolutely must see.
, which follows RBG in her early life and career, tops our list of the best female movies. The film follows the late Supreme Court justice through a landmark case that would set a precedent for gender discrimination; confirms Ginsburg’s place as one of the most progressive gender rights lawyers of her generation.
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Set in the 1950s, 1960s and 1970s, Felicity Jones takes on the role of RBG; features an extremely determined lawyer who, along with her husband Marty, takes on Moritz v. Commissioner, the first federal case to declare gender discrimination unconstitutional.
One of the most memorable feminist films of all time, Salma Hayek portrays revolutionary artist Frida Kahlo in this unforgettable biopic.
To share the adventurous and equally difficult life of a Mexican artist; it touches on her tumultuous relationship with her counselor husband Diego Rivera, her illicit affairs, ongoing health issues and her passion for her art. The show earned Hayek an Academy Award nomination.
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This was the true story that won the 2001 Oscar for Best Actress for Julia Roberts. An inspiring biopic about the single mother who helped bring Pacific Gas and Electric Company (PG&E) to justice;
Proof that the little boy or girl can win. When he realizes that PG&E is knowingly poisoning a California city with its water supply, Brockovich – a paralegal – becomes instrumental in getting the company to pay $333 million to plaintiffs. The case became the largest settlement ever paid in a direct action in US history.
Carey Mulligan, Meryl Streep and Helena Bonham Carter are set in 1912 and tell the story of the problems and challenges faced by women who risked everything for the right to vote.
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, based on the historical movement of the same name, is a vital reminder of the sacrifices women made in early 20th century Britain in exchange for basic human rights – putting their homes, jobs, families and lives at risk.
Celebrates the story of three black women who helped send astronaut John Glenn into space in 1962. The achievement of these three NASA scientists; Katherine Goble (later Johnson), Mary Jackson and Dorothy Vaughan were not without a fight. Amid the ongoing conflict of race, class, and gender discrimination by the white men they worked for, these three women pushed boundaries through their combined grit, perseverance, and intelligence.
, did what many other reporters failed to do. Rosamund Pike, a woman who fearlessly reported from conflict and war zones that many others refused to visit, shows a dignified Colvin in her quest and desire to share the harrowing truth about countries at war. Like many of the stories that made our list of the best women’s movies, it wasn’t without its victims. Colvin lost the sight in one of her eyes as a result of the grenade attack and later suffered from PTSD from the experience. In 2012, she was one of the many victims of the siege of Homs. Her dignified, passionate and passionate work continues to this day.
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Diana Ross’ portrayal of Bill Holiday is hailed as one of the best film performances of the early 1970s.
Is one of the ages. The deeply moving film is loosely based on the singer’s own memories and follows an incredibly honest account of the poverty, racism and slavery that Holiday faced. If Ross’ performance calls for more insight into the world of revolutionary artists, a new biopic of Andry Day was released late last month.
Tells the story of iconic woman, journalist and activist Gloria Steinem. A story that spans decades, four actresses – Julianne Moore, Alicia Vikander, Lulu Wilson and Ryan Keira Armstrong – were recruited to play Stein at different stages of her life throughout the film. Based on Steinem’s own memoir
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It may not be a well-known story, but the life experiences of miner Lois Jenson and the landmark case that changed sexual harassment law in America are historic. Film
Tells the story of Jenson and many other women through the eyes of Josey Aimes (played by Charlize Theron), who relives this brutal, inspiring journey of suffering. Jenson came up with a first name
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