Films The Girl With The Dragon Tattoo Trilogy

Films The Girl With The Dragon Tattoo Trilogy – Stig Larson’s Millennium Trilogy, a novel trilogy of disgraced journalists and punk hackers, is an international phenomenon. The books have sold millions of copies worldwide and have appeared on Swedish screens in feature films and TV extended editions. David Fincher directed the English version of the original novel, which in my opinion is a better adaptation, but for many of the Swedish originals, screen versions of Lisbeth Salander and Mikael Blomkvist were offered. It was released both as a film trilogy and as a Swedish TV series.

Niels Arden Oplev brought a similar approach to his practice The Girl with the Dragon Tattoo (2009), but the film still works thanks to a strong story and the birth of Lisbeth Salander’s Noomi Rapace, an angry rebel However, his life becomes difficult to be a brutal champion. a woman. Surviving in this cruel world must be difficult, even before he gets involved in a decades-old murder mystery and rekindles old secrets. Michael Nyqvist gets top marks as the story’s protagonist, investigative journalist Mikael Blomkvist, who was released from prison after serving time for a crime (he was framed, naturally) and agreed to take on the pending case, but used his fraudulent Salander. He was interested in Mikael’s independent research skills on how to obtain information about clients. It’s the first act of kindness we’ve seen from him…even in revenge. Revenge was what he knew, and it was urgent.

Films The Girl With The Dragon Tattoo Trilogy

The Girl Who Played With Fire (2009) was an improvement on the first film, breaking away from the first film’s murder mystery routine, focusing on Salander’s dark past and making a vengeful comeback. Focus on Revenge: This hits a dark spot like the first movie, but is very personal. Director Daniel Alfredson is not an action director, he doesn’t create anything like conflict, but he’s more responsive to the characters and puts the relationship between Lisbeth and Mikael at the center of the fun, which is even more impressive because they Never share the screen. This time, the relationship is more powerful and compelling, not a narrative but a personal connection, despite the nature of Lisbeth to keep everyone at a distance. But this movie belongs to Lisbeth, positive, smart, fierce, angry, focused, and backed by Mikael.

Amazon.com: The Girl With The Dragon Tattoo

The Girl Who Kicked the Hornet (2009) ends the story with skill rather than excitement. Director Alfredson goes on to explain the complex plot as if it were a series of observations, with only Rapace-born Lisbeth and Nyquist’s poignancy as the faithful Mikael endowed the indifferent justice image with any personality. By the end of the film, it becomes a flat-court drama, with tables so curated and colorless that the poet’s justice is satisfied. So the story is so clear and Lisbeth is so captivatingly creative that they drag the film and give satisfaction at the end.