Gwang-an Spoiler

Gwang-an Spoiler – It is a jet-black satire of class conflict and wealth inequality; By then the starving lad has no choice but to explode and spray blood everywhere.

It follows the wealthy Park family as their beautiful glass box home is slowly infiltrated while the poor Kim family tries to get their gullible colleagues to give them jobs in their home. ‘The place is like you’ is the main line of the action movie, and we watch this play out as Kim’s greed gets the better of him and they don’t find a way out until it’s too late.

Gwang-an Spoiler

We reach the climax of the film when the Park family goes on a camping trip and the Kim family lets in Moon-gwang, a former housekeeper, who discovers that her husband Geun-se is living in the basement to hide from foreign sharks . is behind him. The situation escalated when the couple discovered that the Kim family was also tricking the Park family by pretending to be strangers rather than family. As she struggles to stretch out the house before Parks arrives, Moon-gwang is injured after falling down the stairs.

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The next day, at Park’s son’s birthday party, a badly beaten Geun-se escapes from the basement, killing Kim Ki-woo and his sister Ki-jung. The patriarch of the Kim family then reacts to the father of the Park family killing Geun-se’s “poor man’s smell” and then fleeing.

After his son Kim Ki-woo wakes up in the hospital, he returns home to turn on a light, remembering how to use Geun-se to send Morse code signals from the basement. He transfers Flash a letter from his father describing his escape and how he found shelter in the basement of the park. Kim Ki-woo works there until he buys himself a house and is reunited with his father, which gives Mr. Kim the idea that he must climb the stairs and the sunlight.

We then leave Kim Ki-woo still in the basement of the lost house, naively imagining that he can suddenly break out of his classroom prison as the Parks invite strangers into their home.

Referring to the latter, referring to the Korean expression for a gunshot that ensures someone is definitely dead. The hope that the evil hand of life can be overturned or the shackles of class can be broken is surely dead. This hope can both sustain and torture us, but Joon-ho reveals it to be a lie.

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He says: “Maybe when the film ends with a hug and a fade, the audience might imagine, ‘Oh, that house is impossible to buy,’ but the camera goes into that semi-basement ,” he says. “It’s very sad and sad, but I thought it was real and honest with the audience.

You know – we all know this boy is not going to be able to buy that house. I felt that the honesty suited the film, even if it was sad. “

The final moments of the film return to the beginning when we see the Kim family in their cramped, dank basement that feels like a prison. What happened since then allowed them to escape briefly, but now the people who are still trapped there are back. Joon-ho called the film a “ladder film”, which means that the film gives us all the different steps of the aim of the class, and shows that for some people, when we are trying to climb to the top we are kicked. Bottom again. Just as the Park family’s basement-dwelling couple is trapped below them and just trying to climb the stairs, the Kim family is watching at street level when they want to go up.

Giving Kim Ki-woo a chance to climb the stairs only to be thrown down again, Joon-ho pretends to be escaping the basement as we watch reality unfold. The film encourages us to judge Park’s materialistic and dodgy family, but does not allow us to see the fairy tale of the animals being destroyed. When the Parks leave the master greenhouse, it is not the Kims who claim it, but the German equivalent of the Park family. There is a circle guarding the rich that escapes forever.

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This honesty with the audience is an unflinching moment that takes you out of the comedy bubble you’re watching. It’s an understatement that the film is moving towards us slowly but surely, and the director is being honest with the audience in a way that feels unimaginably real after we let our imaginations run wild. “There are people who are fighting hard to change society. I love those people and I’m always there for them, but the greatest strength of cinema is to expose the audience to something exposed and raw,” says Joon-ho.

It adds its most lasting and lasting feeling, reminding us that funny tricks and witty dialogue are distracting us from this sad truth. Kim Ki-Woo’s return home as a master would be a dream path When his terrorist father tracks him down, a young Asian-American man named Sean – better known as Shang-Chi – must face his past…

We all want to grow up at some point. Sean, the Peter Pan at the center of this Marvel superhero movie, lives in San Francisco. (Establishing shot of the Golden Gate Bridge? Tick!) He’s working as a valet with his best friend Katy (Awkwafina) and they’re happily cruising around in expensive cars in Ferris Bueller’s Day Off. But when the two go out to dinner with some grown-up friends, they are told to stop acting like children. ‘We’re not running from childhood,’ cried Katy later, as she and Sean partied the night away. ‘How are you getting on with getting the jobs you want?’

All this arresting development contrasts with the mythological content of the film, which was previously presented in a solemn introduction with many backstories told through Mandarin voiceover (get used to the subtitles, English speakers!). A thousand years ago, a warrior named Xu Wenwu died after having 10 magic rings (hand rings, not the ones you see on your fingers). Using their power for evil, he founded the Ten Rings – a clan of warriors and agents who have influenced thousands of years of human history.

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But, as tyrants often do, Xu Wenwu wanted more power and so he went in search of the mysterious village of Ta Lo, home to magical beasts. This discovery brings him into contact with a young woman named Ying Li, and after a ballet, tiger-style cuckoo battle, they fall in love, marry, and have two children. But after Ying Li’s murder, her son Shang-Chi went into hiding in San Francisco, assuming the pseudonym Sean.

Sean and Katy first realize that something is wrong with their easy life when Sean is attacked on a crooked bus. Some thugs want a necklace around his neck, and the scene turns into some really scary action as the bus goes through the endless hills of San Fran and Sean fights the bad guys. It’s all here: slick moves, daring stunts, inventive choreography, crazy camera work, slo-mo, a driver who doesn’t notice the horror through his headphones (definitely a punishable crime!) and plenty of comic relief – like the sad moment when the gas- The guzzling vehicle sweeps aside the entire rack of eco-scooters.

Realizing he’s in trouble, Sean decides to go looking for his estranged sister – and Katy insists he come. She’s kind of a sidekick – I mean, a best friend. At the top of a skyscraper in Macau, Sean and Katy discover an illegal fight club that broadcasts live on the dark web. One of the combatants the hipster crowd is cheering for is Doctor Strange’s friend Wong; The other is Abomination, a character who hasn’t appeared in the Marvel Cinematic Universe since 2008. We soon see that the fights are taking place like pro wrestling, but Sean still complains when … His sister, Zhu Xiaoling (Menger Zhang), actually runs the Fight Den.

After the icy reunion of the brothers, the second great action sequence of the film follows. Agents sent by John’s father attack the club and our heroes are chased up the scaffolding outside the skyscraper. Gravity-defying stunts are filmed with craning cameras, adding a dizzying, disorienting experience, and 3D environments mean characters move up and down as the action progresses – it’s a human marble battle. (There’s also a great gag as a nervous Katy tries to mess up

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