I Think I Lie For You Drake

I Think I Lie For You Drake – Essay by Ismail Muhammad / Image by Celina Pereira / Essay by Ismail Muhammad / Image by Celina Pereira / Essay by Ismail Muhammad Example by Celina Pereira / Essay by Ismail Muhammad / Photo by Celina Pereira / Essay by Ismail Muhammad / Image by Celina Pereira / Essay by Ismail Muhammad / Photo by Celina Pereira

It’s hard to say exactly when Drake stopped making an impact as a major artist, but it’s easy to say the song that made his impact worse: “Toosie Slide”, the leader of one of his 2020 collections, “Dark Lane Demo Tapes”. ” The song was created to embrace an emerging cultural phenomenon – in this case, a TikTok dance challenge. It’s a move that Drake has perfected for a decade: He’s a master of style.

I Think I Lie For You Drake

But “Toosie Slide,” with its literal lyrics — an instruction on how to make a pop song (“He goes right foot up, left foot / left foot up, right foot”) — fell flat. not deleted It was released as we recover from this disease, with a video featuring a hooded Drake wandering around his own but mostly empty Toronto mansion, occasionally showing up to dance for fans. Listen to him. Even for a rapper who built his career on claustrophobic melancholy, it’s very emotional. Built on low drums and a serpentine synth that sounds more suited to a funeral song than a rock concert, the song finds Drake talking about his usual concerns: snake-like enemies, those who see him in the eye, fallen by the wayside, unable. . trust everyone but his best friends. READ MORE

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Drake’s strength has always been his strength, a great game that can accommodate dancehall, Afropop, Houston trap and New Orleans bounce. And then there’s his never-ending music, which has sparked rumors that he’ll get back into music and his show. The feeling is a feeling of invincibility: In 2015, actor Meek Mill fired Drake for using a ghostwriter, and in 2018, Pusha T revealed that Drake had a secret child. In both cases, Drake survived the scandal and became the best thing in rap music.

But the most important part of Drake’s staying power as a celebrity is the way he taps into the emotional lives of millennials like me. One night, when the cheesy 2013 single “Hold On, We’re Going Home” came on at a party I was hosting, all the dancers in my kitchen listened intently as if they were pleased. Drake reflected on my generation the pervasiveness and complexity of our search for love in an age of dating apps and social media, when we are all suddenly on camera, the subject of our own reality. Is there an artist who better illustrates the twisted sense of emotional investment we can have in a text exchange, or the satisfaction of knowing an ex is checking our Instagram stories?

Drake told the emotional story of life in my 20s, but I’m in my 30s now, and it’s hard for me to ignore the rapper’s mistakes — especially when those mistakes start to extend to questionable conversations and young actors or media that appear to be. worse suits the actors (what are the duck lips all the time?). In this case, “Toosie Slide” is the sound both emotional and artistic of Drake, writing about an inappropriate love affair he went through in 2010.

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My partner and I broke up a week before California’s stay-at-home order. I was angry, forgiven and angry with myself for making such an important decision at the worst possible time. As in previous years, I wanted to go to Drake so he could share his heartbreak with me. “Toosie Slide”, however, is a song for children. It revealed an artist who had not yet matured with me, who could no longer evoke emotional details. I was sad about that too.

Ismail Muhammad is the editor of the newspaper. Celina Pereira is a Brazilian-American graphic designer and art designer based in Los Angeles.

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No Time To Lie By Lexi Blake

Last October, singer and songwriter Moses Sumney opened up Instagram and posted a picture of himself side by side, shirtless. One showed a handsome young man in his underwear. The other shows the good health of an athlete or warrior. “How it started (2018) vs how it goes”, read the text in this article, on a large scale of enthusiasm and sometimes good words. It’s a rare sight for an artist whose shows are meticulous and curated, full of sending up expertly orchestrated art from an alternate reality. And it’s a lot of fun: “An interview show from the ’90s,” he later told me, laughing at the pre- and post-production set.

If there’s one thing Sumney is known for, besides his boss-like falsetto and his singing, it’s him.

Of such a thing – all the usual conventions of gender and race and sexuality. He studied poetry at the University of California, Los Angeles, and dressed like Dennis Rodman. He sometimes busied himself recording meditation music for the Calm app and portraits – of different colors, genders and shapes – lying in a field wearing high-visibility clothing. “Virile,” the first from his 2020 album, “græ,” is a sour take on the “ancestors” and their need, as Sumney sings, “to bring everyone together.” He doesn’t seem to be the type to flaunt his pecs on Instagram. But: “I wanted to really explore a man physically and make myself a refuge for him,” she says, describing a year spent painstakingly transforming her body into that of Adonis for the music video. . “I want to turn myself into an animal.” READ MORE

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Like most things at Sumney, this project is part brain exercise, a way to ask big questions. Can there be an ideal type of person? The non-lethal version? “What is my translation?” he asked me, sighing. “What is the type that can have a positive and productive impact and

Since Sumney self-released his debut EP in 2014, he has seemed like the avatar of everything a modern musician should traditionally be. He can sound like anyone – Aretha Franklin, Can, Kate Bush – and describes his music as “a combination of soul, jazz, folk and experimental indie rock.” By 2017, after releasing his first album and moving from Los Angeles to the mountains outside of Asheville, NC, Sumney began to feel constrained by his upcoming Big Thing status, tired of what he saw as the world of music trying. “try.” let me post an identity or sell me one.” He has shown that he can do anything, but what part of “something” is his?

He was alone in the mountains, and since he knew no one and no one knew him, Sumney realized that he did not need to close his eyes and chose the identity of the hat. He already has one, at least for now: that of ripped, a spectacle that likes to go naked in mountain streams and make great albums like “græ”.

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“As smart, intelligent, progressive people,” he told me, “we run the risk of falling into the trap of questioning simply because we’ve learned they’re bad and put ourselves in this society of different people”—trying to rid our lives of everything , which feels tainted by the social system of inequality. But does that mean we can’t enjoy loud sounds or have the luxury of looking good naked? “It’s dishonest to deny happiness,” Sumney says. “I like rock music! I like the crackling sound. I love beautiful sounds. I always sing like I do riffs, always scream at the top of my lungs when I’m alone in my house. That I dance all the time, and I’m always naked. And it’s like, why can’t I be all those things in public? “

During most of his life, Sumney felt both the invisible and the obvious – “the worst of both worlds.” Born in San Bernardino and raised by Ghanaian pastor parents, he is the only black Christian.

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