Net Worth Travis Tritt – James Travis Tritt (born February 9, 1963) is an American country singer and songwriter. In 1989 he signed a contract with Warner Bros. Records, where he released seven studio albums and a greatest hits package for the label between 1999. In 2000, he released three studio albums on Columbia Records and one on the now defunct Category 5 Records. A number of his albums (including greatest hits) have been certified platinum or higher by the Recording Industry Association of America (RIAA); the highest certification is 1991’s It’s All About to Change, which is certified triple platinum. The track also charted more than 40 times on the Hot Country Songs chart, including five No. “- and 15 other top singles. Tritt’s musical style is defined by mainstream country and southern rock influences.
Won two Grammy Awards, both for Best Country Collaboration with Vocals: 1992 for “The Whiskey Ain’t Workin'”, a duet with Marty Stuart, and again in 1998 for “Same Old Train”, a collaboration with Stuart and nine others . Artist. He has won four awards from the Country Music Association and has been a member of the Grand Ole Opry since 1992.
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James Travis Tritt was born on February 9, 1963 in Marietta, Georgia to James and Gw Tritt. He first became interested in singing after his Sunday school choir performed the song “Everything is Beautiful” in church.
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He got his first guitar at the age of 8 and learned to play it; in the fourth grade, he performed “Annie’s Song” and “King of the Road” for his class, and was later invited to perform in other classes at his school.
At 14, his parties bought him another guitar and he learned more songs from his uncle Sam Lockhart.
Tritt began writing music while attending Sprayberry High School; his first song composition titled “Spd a Little Time” was written about a girlfriend he broke up with.
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He also formed a bluegrass band with some of his friends and won second place in a local tournament for “Mommas Don’t Let Your Babies Grow Up to Be Cowboys”.
During his teenage years, Tritt worked in a furniture store and later as a supermarket clerk. He lived with his mother after she and his father divorced; they remarried when he was 18.
While playing in clubs, he worked in an air conditioning company, but at the suggestion of one of his teammates, he gave up working in air conditioning.
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Tritt’s father thought he would fail as a musician, while his mother thought he should play Christmas music instead of country music.
With the help of an executive from Warner Bros. Danny Davport’s records started recording demos. The two worked together for the next few years and eventually put together a demo album called Proud of the Country.
Davport gave the demo to representatives of Warner Bros. in Los Angeles, who in turn demonstrated their Nashville division, which Tritt signed in 1987.
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Davport also helped Tritt find Talt’s manager, K Krag. Krag was initially not interested in being a “experience act”, but decided to sign on as Tritt’s manager after being persuaded by Krag’s wife.
Tritt’s contract with Warner Bros. means that he signed a contract to record six songs and three of them would be released as singles. Contractually, he would not be signed to the entire album, unless one of the three singles becomes a hit.
It was the title track of his 1990 debut album, Country Club, which was produced by Gregg Brown. In the month of the release, Tritt ruptured a blood vessel in his vocal cords and had to rest for a month.
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The album’s third and fifth singles, “I’m Gonna Be Somebody” and “Drift Off to Dream”, peaked at number two and three on the Hot Country Singles & Tracks chart and number one on RPM’s Canadian Country Chart;
“I’m Gonna Be Somebody” also debuted at #1 on the US Country Singles Charts by Radio & Records.
Country Club was certified platinum by the Recording Industry Association of America (RIAA) in July 1991 for one million copies, and since 1996 no medals.
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The Country Music Association (CMA) also nominated him for a Horizon Award (now known as the New Artist Award),
Which is dedicated to new artists who have demonstrated the most significant artistic and commercial development since their first or second album.
Brian Mansfield of AllMusic gave the album a positive review, saying that “Put Some Drive in Your Country” paid homage to Tritt’s influences, but that the other singles were more radio-friendly.
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Alanna Nash of Tertainmt Weekly gave the album a B-minus, comparing Tritt’s music to that of Hank Williams, Jr. and Joe Stampley.
He also released his second album, It’s All About to Change. The album became his bestseller and was certified triple platinum by the RIAA for shipments of three million copies.
All four of her singles reached the top five of the country charts. “Here’s a Quarter (Call Someone Who Cares)” and the Marty Stuart duet “The Whiskey Ain’t Workin'”, the first and third singles respectively, both peaked at No. 2, with No. 1 “Anymore” between them . “Nothing Short of Dying” was the fourth single to peak at number four on Billboard;
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“Bible Belt”, another cut from the album (recorded in collaboration with Little Feat), appeared in the 1992 film My Cousin Vinny (however, the lyrics were changed for the version played in the film to fit the storyline) . Although not released as a single, it peaked at #72 in the country based on unwanted airplay and was the B-side to “Nothing Short of Dying”.
Stuart offered Tritt “The Whiskey Ain’t Workin’ Anymore” backstage at the CMA Awards, and they recorded it as a duet at the suggestion of Tritt’s record producer Gregg Brown.
Tritt and Stuart recorded a second duet, “This One’s Gonna Hurt You (For a Long, Long Time)”, which reached No. 7 in mid-1992 and appeared on Stuart’s album This One’s Gonna Hurt You.
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In June 1992, Tritt gained media attention when he criticized Billy Ray Cyrus’ “Achy Breaky Heart” in an interview with Fan Fair, saying that he did not think Cyrus’ song was a “statement”.
In August of the same year, Tritt released the album T-R-O-U-B-L-E. His first single was “Lord Have Mercy on the Working Man”, a song written by Kostas. With backing vocals from Brooks & Dunn, T. Graham Brown, George Jones, Little Texas, Dana McVicker (who also sang on Tritt’s first two albums), Tanya Tucker and Porter Wagoner on the final chorus, the song topped the Hit number five.
Its follow-up, “Can I Trust You with My Heart,” became Tritt’s third Billboard No. 1 in early 1993.
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The album’s three other singles did not fare so well in the charts: the title track (a cover of Elvis Presley’s
), peaking at number 13, followed by “Looking Out for Number One” at number 11 and “Worth Every Mile” at number 30.
AllMusic’s Steph Thomas Erlewine thought T-R-O-U-B-L-E stuck too closely to the It’s All About to Change formula, but said the songs showed Tritt’s personality.
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Nash gave the album a similar review, but praised the rock influences of “Looking Out for Number One” and the vocals on “Can I Trust You with My Heart”.
A month after the release of T-R-O-U-B-L-E, Tritt released a Christmas album titled A Travis Tritt Christmas: Loving Time of the Year, for which he wrote the title track.
He also joined the Grand Ole Opry, a weekly theater show and radio show that specializes in country music performances,
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Am d, Tritt and several other artists appeared on George Jones’ “I Don’t Need Your Rockin’ Chair”, which won all participating artists the following year the CMA Vocal Event of the Year.
In early 1994, after “Worth Every Mile” fell off the charts, Tritt hit #21 with a cover of the Eagles’ “Take It Easy.”
He recorded this song for the tribute album Common Thread: The Songs of the Eagles (released through Warner Bros.’s Giant Records division), which featured Eagles songs by country music artists.
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While filming the music video for the song, Tritt asked to feature the band, who had been on hiatus for over 13 years. This reunion inspired the Eagles’ Hell Freezes Over Tour, which began that year.
His fourth album T Feet Tall and Bulletproof was released in May. His lead single “Foolish Pride” peaked at number one and the fourth single “Tell Me I Was Dreaming” peaked at number two. These songs include the title track at number 22 and “Betwe an Old Memory and Me” (originally recorded by Keith Whitley
The album featured two co-writes with Gary Rossington of Lynyrd Skynyrd and guest vocals by Waylon Jennings and Hank Williams, Jr. to the “Outlaws Like Us” cut.
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AllMusic reviewer Brian Mansfield said that Tritt was “most comfortable with his southern rock/outlaw mantle”, comparing “Foolish Pride” favorably to “Anymore” and the work of Bob Seger.
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