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Jim Carrey’s new book, Memories and Misinformation, is a quirky work of fiction that pokes fun at Hollywood’s self-obsession. He gets his home remotely via Facetime on an iPad.
Percy Carrey
Jim Carrey’s new semi-autobiographical novel, Memories and Misinformation, features aliens and gunfire on Rodeo Drive, an apocalyptic fire engulfing Malibu and Kenneth Lonergan’s giant movie Hungry Hungry Hippo. At one point, Carrie dreams of her dead mother being strangled. He then seeks out Renee Zellweger (“his last great love”) and faces Nicolas Cage, a man whose “artistic courage has always given him courage” in a jiu-jitsu duel. (Warning: Cage fights dirty.)
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“Memories and Misinformation,” which he co-wrote with novelist Dana Vachon in the third person, is meant to depict what Carey calls “a whole that has infinite knowledge of all its parts.” . A satire of Hollywood self-absorption that coincides with the end of the planet, none of it is real… except when it is. And given the extreme circumstances that shaped Kerr’s life, it’s sometimes hard to separate fact from fiction.
When Sonny Mehta, Alfred Knopf’s late publisher, bought the book a few years ago, he wrote Kerr a note congratulating the bull on “There’s a town in Northern Ontario,” a reference to Neill’s opening line. Young’s autobiographical song “Helpless”. “Memories and Misinformation” is a deconstruction of historical events in show business. There are no interesting anecdotes about the making of Dumb and Dumber or Ace Ventura: Pet Detective. Instead, it is a completely strange work of self-imagination, full of symbolism and metaphor, sometimes beautiful, sometimes tragic, often indescribable.
In a recent FaceTime call — joined first by Vashon and then for another good hour — Carrey, 58, says he didn’t want to write a memoir that dryly chronicled his life. “You can tell a lot with someone’s fictional choices,” he says, and Vachon adds that they wanted to use augmented reality to create a “superposition of truth.”
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This reality, as you might expect from Carrey’s career with infiltration of demons, clowns and sad men trying to escape loneliness, naturally leans towards the surreal – a tone that matches the experience of speaking with Carrey. For example, when the conversation turns to Las Vegas, where the book’s Jim Carrey fears that “when he’s old, he’ll wind up prostitution in the bingo crowd with white teeth and hair in tatters.” Kerry describes her visits. Sin City in feverish prose that is bigger than a book.
“Every time I go to Vegas, I go crazy,” says Carey. The only way I can live there is to turn on all the faucets to make the room a terrarium for tropical plants that literally can’t be seen through the windows after a while. They only bleed with sweat. I imagined what life would be like on Mars. “I don’t care how you control my environment! I’m going to the tropics!” “I might have to break the window for a second to get myself out.”
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“Memories and Misinformation,” which Carey describes as “burning to the ground and telling you that I’m still not who I am,” began life eight years ago when Vashon walked into Carey’s West Village artist workspace. , studied his paintings and thought. “Here’s the story.” In one corner was a picture of a Malibu engulfed in flames. In the second, a self-portrait is cut out. Vachon told Carey that the scene reminded him of Aeneas standing in the temple of Juno and lamenting the hardships of his life.
At the beginning of the collaboration, Carey told the story of his life: the family’s financial problems, his mother’s drug addiction, eight-hour shifts at a tire factory, his father’s “sweet, incredible soul,” his days in Toronto and his rise to fame – so Vachon could upload these memories before doing the “Carey” story. They Skyped constantly, Carrie bouncing ideas off, Vashon trying to turn them into coherent prose. The process continued regularly for almost ten years and only ended in February with the final draft. The book was originally supposed to go on a promotional tour, but the COVID-19 pandemic disrupted those plans. Now July 7 is the deadline.
Jim Carrey, right, is photographed with Dana Vachon, co-author of Carrey’s novel, Memories and Misinformation, connected to an iPad screen from his home.
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“We’re not sure it’s done yet,” Kerr jokes. Vachon adds, “The book is the product of an epic and open conversation. Who spends eight years on a project? “It was a gift to me.”
According to Kerr, writing felt like “someone opened the door to an ancient temple.” What he saw inside – and what he wanted to convey – can be seen in the picture on the book cover. Kerr’s painting includes a photo he accidentally took on Maui in 2018 when an early-morning emergency alarm mistakenly warned of an incoming ballistic missile attack.
My assistant, Linda, called me and said, “Boss, we have 10 minutes,” and I said, “What do you mean? And he said, “The rockets are coming.” and pressed the phone and accidentally. says Kerry. This is the book cover, the real me after being told I have 10 minutes to live.
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After initially trying to reach her daughter from Maui, Carey went outside, sat on the lanai and spent eight minutes on a “thank you list.” Amazed by the grace of his life, he reached a state of grace, closed his eyes and waited for the rockets.
“Now, I’m walking around the world knowing what this is for me and where I’ll be if it happens,” Kerr says, wiping away tears. “I sit down and thank God for the blessings in my life. If I were someone, who would I be? And I really don’t believe that I am anyone. I believe that there is nothing that you are not.”
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“Memories and Misinformation” has a similar apocalyptic account with similar results. However, the real Carrie spent her entire life waiting to be forgotten. In the sixth chapter of the book, our hero goes to the Desert Motor Hotel to meet screenwriter Charlie Kaufman in a biopic about the role of Mao Zedong, who Carey believes will be his “raging bull.” Registered in 1982, new from Toronto with just a suitcase of clothes and a used copy of Hal Lindsay’s doomsday bestseller The Late Great Planet Earth.
“I walked through the owner’s parade and got my little green donkey into a motel room that would make Bartha jealous,” says Carey. I’m reading this book and I’m saying the world is going to end soon and I’m saying, “But I’ve just come.” I have to fix it before I die.” So, literally, I’ll be making it for almost 40 years before I die. But we all have the sword of Damocles over our heads. This mushroom cloud is the character of our life. And we have to learn to dance and smile and do everything right.
Dave Holstein, the creator of Showtime’s “Pranks,” which stars Carrey as a children’s TV character dealing with tragedy, believes his star has found peace in living “the peaks and valleys that only we can understand.”
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“When you go to enough therapy throughout your life, you eventually become your own therapist … and I think Jim has mastered the art of self-education,” Holstein adds. He’s so unhappy, in the way that most people are incredibly ambitious, that there’s always something they think they could do and haven’t done yet.
The double-header “joke” explores similar ground in “memories and misinformation,” picking up family wounds, glorifying celebrity and exploring mortality, engaging what Holstein calls “full emotion.”
“It’s sensitive and not afraid to really tap into the raw, honest emotions that we experience in the dark,” says Holstein.
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Carrie says she wants to show something. As he looks through his phone, he comes across a picture of his father, Percy, wearing a navy suit, the only suit he’s ever owned. It is a work of art and depicts a scene from the book in which Percy takes his son’s scarred hands (which Carrie had a fever in her sleep and thought was Slim James) and reveals something of lesser significance. No.
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