The Art of the Exposition is a Webnovel created by Eugen Neuhaus.
This lightnovel is currently completed.
Figure crowning the minor Domes – Sherry E. Fry A standing finial figure, on the minor domes, of graceful pose.
Two groups in front of the Pylons – Sherry E. Fry Practically conceived as wall fountains, they are composed of the figure of a girl, suggesting the joy of life, emphasized by young Pan, with a lizard, at the base on the left, and a seated young girl on the right.
Cartouche over the entrance (figures only) – Sherry E. Fry An architectural unit over the big arch of the main central dome, outside the building, for decorative effect.
Reclining figures on Pylons – Sherry E. Fry A male and a female figure, reclining, crowning the architectural units projecting into the South Gardens. Suggestive of life and pleasure.
Court of Palms:
Equestrian statue, “The End of the Trail” – James Earl Fraser At the entrance of the Court of Palms, off the main avenue opposite the Horticultural Palace. Symbolical figure, representing the destinies of the vanishing red race; to be considered in connection with the “Pioneer” at the entrance of the Court of Flowers.
The Fairy (Italian Towers – Palms and Flowers) – Carl Grupp A figural termination of the four towers guarding the entrances to the Courts of Palms and of Flowers.
Caryatides – John Bateman and Mr. Calder Winged half-figure in the attic-s.p.a.ce, repeated all around the court.
Spandrels – Albert Weinert Reclining decorative figures composed into the triangular s.p.a.ces over all the doorways in the corridor.
Court of Flowers:
Equestrian statue, “The Pioneer” – Solon Borglum At the entrance of this court. Representing the white man and his victorious civilization. (To be studied with “The End of the Trail.”)
Lions (at the entrances) – Albert Laessle Very conventional architectural decorative animal forms at the entrance inside the Court of Flowers – used six times.
The Fairy (above the Italian Towers) – Carl Gruppe [See Fairy under Court of Palms by the same artist.]
Central Fountain, “Beauty and the Beast” – Edgar Walter Decorative fountain inside the court, with crowning figure of a young woman, reposing on a fabulous beast.
Flower Girls (in niches) – A. Stirling Calder Repeated figures, conventionally treated, of young women, decorated profusely with flower garlands, in the attic s.p.a.ce.
Court of Abundance:
Groups on the altar in the main tower – Chester Beach These groups const.i.tute the historical composition in the tower on the north side of the court. Beginning with the lower one, they represent the primitive ages, the middle ages, and modern times.
Group at column bases and finials – Leo Lentelli Decorative figures. Used four times at the base of the shaft near the tower. A single finial figure of a girl with a bow is used on top of the same column.
Fountain of the Earth (central pool) – Robert I. Aitken An architectural composition telling the story of human life in its many phases. The outstretched arms on the south side represent destiny giving and taking life.
Figures on top of the Arcade – Albert Weinert Primitive men, with the pelican and deer; the mother with a child is repeated all around the court.
Aquatic Life (north extension) – Sherry B. Fry A figure which might represent Neptune’s daughter. This figure stands north of the tower in the open s.p.a.ce toward the Marina below, between the Palaces of Transportation and Mines.
Court of the Universe:
The Nations of the East; The Nations of the West – A. Stirling Calder, Leo Lentelli, and Frederick C. R. Roth, collaborators.
Colossal groups on top of the two great arches, representing, in many types, Western and Eastern civilization.
Statues on columns (eastern and western arches) – Leo Lentelli Winged statues standing on top of columns on the inside as well as the outside of the two great arches.
Spandrels, Pegasus – Frederick G. R. Roth Triangular compositions spanning the arches, repeated on both sides.
Medallion – B. Bufano Circular decorations of male figures on the left side of the arch without any meaning other than architectural effect.
Medallion – A. Stirling Calder Same as above, of female figures, on the right side of the arches.
The Stars (colonnades) – A. Stirling Calder Very conventional standing figure, with hands united above the head, forming a star with radiated head-dress, placed on the bal.u.s.trades of buildings adjoining the court and in the avenue leading north from the court.
Frieze on corner pavilions, “Signs of the Zodiac” – Hermon A. MacNeil Decorative friezes on four sides of the four corner pavilions, of mythological character.
Two fountains, “The Rising Sun” and “The Setting Sun” – Adolph A.
Weinman Two columns rising from fountain bowls and crowned by winged figures, of a woman, representing the Setting Sun, on the left, and of a winged male figure, the Rising Sun, on the right.
Four reclining figures, “The Elements” – Robert I. Aitken At the head of the stairs leading into the sunken garden; on the left, near the Music Pavilion, “Fire;” on the right, “Water;” on the left, near the tower, “Air;” on the right, “Earth.”
Two Groups – Paul Manship Near the arches at the head of the steps, two figural groups. One is of female figures, suggesting pleasure; the other, music and art.
Western Plaza, in Front of Machinery Palace:
Monument, “Genius of Creation” – Daniel Chester French Group of allegorical figures, suggestive of the development of the human race.
Court of the Four Seasons:
Four groups representing “The Seasons” – Furio Piccirilli In niches. Southeast corner, “Winter;” northeast corner, “Fall;”
southwest corner, “Spring;” northwest corner, “Summer.”
The Harvest (above the half dome) – Albert Jaegers Seated figure with a horn of plenty and other agricultural emblems.
Rain and Sunshine (figures on columns) – Albert Jaegers Standing female figures on columns on either side of the half dome.
Sunshine, holding a palm branch, is on the left, and Rain, holding up a sh.e.l.l, on the right.
Groups, “Feast of Sacrifice,” on the pylons in the forecourt – Albert Jaegers The two groups on top of the building, in which huge bulls predominate, led by a young woman and a young man; very decorative.
Fountain, “Ceres” – Evelyn Beatrice Longman Situated halfway between the Court of the Four Seasons and the Marina, in an avenue leading north; architectural in character.
Spandrels (arcade) – August Jaegers Reclining female figures above the arches at the west and east entrance of the Court of the Four Seasons.
Attic figures – August Jaegers Standing decorative figures of architectonic feeling, in the attic above the preceding figures.
Varied Industries Palace:
Tympanum group in the doorway – Ralph Stackpole Groups of men and women in the lunette of the ornate doorway on the south side.
Secondary group, doorway – Ralph Stackpole Groups above the preceding one, showing Age transferring his burden to Youth.
Figure for niches, doorway (man with the pick) – Ralph Stackpole A repeated figure of a miner, of relatively small scale, on the consoles in the doorway.
Figure for keystone in doorway – Ralph Stackpole A small seated figure of a laborer, on the headstone.
Figure for niches, on the east facade of this Palace and of the Palace of Mines – Albert Weinert Standing figure in niches above doors, also used in avenue leading into the Court of Abundance from the east.